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In early 1881, Zorn met Emma Lamm, whose background was quite different from his. Emma Lamm was from a wealthy Jewish merchant family. She was interested in art and culture and, after a long engagement, they were married in a civil ceremony in October 1885.
- Key Facts
- Style and Technique Breakdown
- A Closer Look at Some of Anders Zorn’s Paintings
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Zorn was born on 18 February 1860 in Sweden.He demonstrated a remarkable skill from an early age and gained attention for his depictions of horses and human figures which he carved in wood. He initially planned on being a sculptor, but ended...He studied at the Royal Swedish Academy of Artsfrom 1875 to 1880, but his attendance was poor and he later admitted that he did not have much to learn from the Academy.In 1880, Zorn exhibited his watercolor painting, In Mourning, which depicts a young girl under a veil. The painting is a sensitive display of colors and brushwork which paved the way for Zorn’s pro...Zorn combined loose, virtuoso brushwork with skillful use of drawing, valueand edges. His paintings appear incredibly realistic, yet they have a sense of effortlessness about them, similar to the paintings of Joaquín Sorolla and Sir Arthur Streeton. The painting below has a very painterlyfeel to it. Here are some things to note: 1. If you look up c...
Park Alhambra, 1887
This is a delicate watercolor painting which features a couple sharing a kiss, a wondering cat and an unusual composition. The couple is tucked in the corner of the painting and there is a sense of calmness, unaware they are the subject of the painting. In terms of technique, it seems Zorn laid down general blocks of color then went over the top with the more intricate details (branches, flowers, highlights and accents).
Our Daily Bread, 1886
Our Daily Bread is another intricate watercolor painting. The level of complexity shown in this painting led me to believe it was done in oils on first glance. Zorn clearly had a remarkable level of control and eye for detail. The painting features Zorn’s mother sitting at the edge of a path cooking potatoes for the harvesters. She appears to have a strained look on her face. Notice how your eyes are drawn towards the mother with the heightened level of contrast, colorand detail compared to t...
Emma Zorn Reading, 1887
Here is a portrait of Zorn’s wife, Emma whilst she was reading. As with many of his portraits, the subject is just going about her life, seemingly unaware of Zorn’s presence. Much of the detail has been simplified; notice how he did not attempt to paint the words on the paper and how the wall in the background is nothing but general color shapes. There also seems to be a fish tank in the background with bright, orange goldfish. This contains your attention on the right side of the painting wh...
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He met Emma Lamm in 1881 and fell in love with her. Even though she hailed from a wealthy family as opposed to Zorn’s humble background, she had a genuine appreciation for art and culture. She was supportive of his ambitions and the two got married in 1885.
Anders Zorn (born Feb. 18, 1860, Mora, Swed.—died 1920, Mora) was a Swedish painter and etcher, internationally famed as one of the best genre and portrait painters in Europe at the end of the 19th century.
- The Editors of Encyclopaedia Britannica
Emma Lamm. In the autumn of 1885, Anders Zorn and Emma Lamm married. The following eleven years were mostly spent abroad, first in England, later in Paris, but they always came back to Sweden during the summers.
Jan 9, 2019 · On January 3rd 1874, Ander’s mother, Grudd, just a year after the death of Leonhard Zorn, married Skeri Anders Andersson and the couple lived in Lisselby, a small town thirty kilometres south-east of Mora. They had their first child, a daughter, Karin in the November.
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Back in Sweden, he married Emma Amalia Lamm in 1885, a cultured young woman from a Jewish family in Stockholm. Emma Lamm and Zorn had met as part of a portrait commission in 1881.
