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Explain how progressive modern music sounds different from music of the “common practice era.” Identify the historical and ideological changes that caused the stylistic upheaval of modernism. Identify key stylistic attributes of twentieth-century modernist music.
Aug 20, 2018 · By the early fifties, Pierre Schaeffer and Pierre Henry were creating collages that incorporated recordings of train engines and other urban sounds; Karlheinz Stockhausen was assisting in the...
- Music in the Twentieth Century
- David Clarke
- M. J. Grant
- Rachel Beckles Willson
- Musical Modernism at the Turn of the Twenty-First Century
- Acknowledgements
general editor Arnold Whittall This series offers a wide perspective on music and musical life in the twentieth century. Books included range from historical and biographical studies concentrating particularly on the context and circumstances in which composers were writing, to analytical and critical studies concerned with the nature of musical la...
The Music and Thought of Michael Tippett: Modern Times and Metaphysics
Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe
Ligeti, Kurt ́ag, and Hungarian Music during the Cold War
Musical Modernism at the Turn of the Twenty-First Century
was drawn to the “Music in the Twentieth Century” series by the prospect of working with the series editor Arnold Whittall. As I had hoped, Professor Whittall had much to say during the production of the manuscript. Another voice is always welcome in the solitude of scholarly writing. It is especially so when the book, like this one, ventures new v...
Makis Solomos. From Debussy to this early 21st century, sound has become one of the major wagers of music. Music had begun a change of paradigm, going from a culture centred on the note to a culture of sound.
- Makis Solomos
Nov 13, 2019 · From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound.
- Makis Solomos
- 2019
Richard Randall is the Cooper-Siegel Associate Professor of Music Theory at the Carnegie Mellon University School of Music and holds a faculty appointment at the Center for the Neural Basis of Cognition. Randall’s research lies at the intersection of music theory, cognitive psychology, and media and cultural studies. His work employs a wide
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Jan 1, 2016 · From the beginning of the 20th century until today many new musical instruments have been invented, but a few of them have been survived and still in use today, like Theremin, Onde Martenot ...
