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    • Phil Joanou

      • His first movie feature was Phil Joanou’s Alec Baldwin vehicle Heaven’s Prisoners (1996), but it was his dazzling opening credits for David Fincher’s Se7en (1994) and the immense subtlety and finish of the lighting in Fincher’s The Game (1997) and James Gray’s The Yards (1999) that saw him rise to the top rank of DPs.
      www2.bfi.org.uk/news/memoriam-harris-savides
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  2. Feature films. Savides first solo job as a cinematographer was on the thriller Heaven's Prisoners (1996), directed by Phil Joanou and starring Alec Baldwin. [2] Before that film, he served as a cinematographer on a TV short film entitled The Investigator (1994) directed by Matthew Tabak and a TV movie Lake Consequence (1993) directed by Rafael ...

  3. Aug 15, 2024 · Before becoming a cinematographer himself, Christopher Blauvelt crewed for Savides, starting in 1994 as a camera loader/second assistant and working his way up the ranks until 2012 on “The Bling...

    • Chris O'falt
  4. 22 hours ago · That the film was Fincher’s first period piece feels especially relevant in assessing the construction and clarity of Harris Savides’ digital video photography, the low-light legibility of ...

  5. Nov 17, 2016 · Savides started out as a cinematographer for commercials and music videos, and he was great at it.

  6. Harris Savides was born on 28 September 1957 in New York City, New York, USA. He was a cinematographer and actor, known for Elephant (2003), Zodiac (2007) and Birth (2004). He was married to Medine Chenet.

    • January 1, 1
    • New York City, New York, USA
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    • Manhattan, New York City, New York, USA
  7. Apr 26, 2014 · When Jeff Cronenweth wasn’t the guy behind the camera for David Fincher, it was Harris Savides who the director almost always turned to. The cinematographer’s first gig with Fincher was a short and memorable opening credits sequence to a movie called Se7en; the footage, designed by Kyle Cooper, was photographed by Harris. Take a look at it.

  8. Oct 12, 2012 · Savides shot many other great films, most notably (with respect to cinematography) Gus Van Sant’s death trilogy, David Fincher’s Zodiac, and two films by Noah Baumbach (Margot at the Wedding and Greenberg).

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