Search results
Stuart Rosenberg
- Directed by Stuart Rosenberg.
www.tvguide.com/movies/love-and-bullets/review/2000275500/Love and Bullets - Movie Reviews and Movie Ratings - TV Guide
People also ask
Who directed Love & Bullets?
Is Love and bullets based on a true story?
When was Love & Bullets filmed?
Did John Huston direct 'Love & Bullets'?
Love and Bullets. Crime. 103 minutes ‧ PG ‧ 1979. Roger Ebert. January 1, 1979. 3 min read. Conscience makes cowards of us all. Consider Rod Steiger, playing a Mafia boss from Arizona, now safely stashed away in his well-guarded Swiss chalet.
Love and Bullets is a 1979 action crime film directed by Stuart Rosenberg. [3] and starring Charles Bronson, [3] it is based on a screenplay by Wendell Mayes and John Melson. [3] The film was originally to have been directed by John Huston and advertisements were taken out in Variety to promote this fact. Huston apparently did film some scenes ...
Sep 10, 2012 · Release Details. Duration:103 mins. Cast and crew. Director:Stuart Rosenberg. Screenwriter:Wendell Mayes. Cast: Charles Bronson. Jill Ireland. Rod Steiger. Henry Silva. Strother Martin....
The FBI sends a loner (Charles Bronson) to kidnap a mobster's (Rod Steiger) mistress (Jill Ireland) in Switzerland, and get her to testify against Steiger. Unfairly seen as a lesser Bronson film, Love and Bullets is a fun, action-chase movie with plenty of snow and shootouts.
Directed by Stuart Rosenberg. Somebody’s bound to catch the kiss of death! Jackie Pruit is the girlfriend of notorious gangster Joe Bomposa. When it looks as if Bomposa’s goons are threatening Jackie’s life, the FBI moves in to protect her, hoping that she’ll have incriminating evidence.
- (804)
- ITC Entertainment
- Stuart Rosenberg
Love and Bullets is a 1979 action crime film directed by Stuart Rosenberg. and starring Charles Bronson, it is based on a screenplay by Wendell Mayes and John Melson.
Love and Bullets is a hopelessly confused hodgepodge of chases, killings, enigmatic meetings and separations, and insufferably overacted scenes by Steiger alternating with alarmingly underacted scenes by Bronson.
