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Nov 9, 2023 · Must be at least 6 characters, include an upper and lower case character and a number
- Rule #1: Characters Should Exist to Represent Theme and Move Plot
- Rule #2: Fewer Characters Are Better
- Rule #4: Identify Which Characters Play A Role in The Climax—And Prioritize Them
- Rule #5: Keep A Firm Grasp on Which Character Is Your Protagonist
- Rule #7: Space Out Character Introductions
- Rule #9: Know What Each Character Wants and/or Has at Stake in Each Scene
The first and single most important principle to consider when evaluating the size of your cast is this: does each character matterto this story? Characters, like any element in a well-thought-out story, should never be throwaway additions. Each must contribute to the story. Sometimes this contribution may necessarily be as small as a few catalytic...
By extension of the above, here’s a truth some authors don’t like to face: fewer characters really are better.The tighter your cast, the tighter your story’s focus—in both its presentation of a forceful plot and its thematic argument. On a practical level, small casts aren’t always possible. For example, you can’t tell an epic story about multiple ...
Another way to determine whether your large cast is justified is by following all of your characters to the end of the story. What is their role in the Climax? As the ultimate payoff of all foreshadowing in your story, the Climax dictates what elements deserve a place in the previous acts. Characters who have no role in or impact upon the final cli...
One common pitfall with large casts of characters is losing the forest for the trees. However, the larger your cast, the more important it is to ground your story with a solid protagonist.This is the character with whom your readers will relate; this is the lighthouse in the storm. More than that, the protagonist is the character who ultimately def...
Once you’ve got your cast planned and you’re ready to get down and dirty with the actual writing, unique challenges emerge. One of the first has to do with how to introduce readers to so many characters. The rule of thumb is simple: space out introductions. Sometimes this takes planning. You will have to carefully engineer your early scenes to: 1. ...
Characters are no good to you if they aren’t contributing to every scene in which they are present. If they aren’t there to dosomething, then they’re just in the way. (There are exceptions to this, obviously, such as large-scale events such as weddings, which require supporting characters merely to observe.) If you’ve done your homework (see Rule #...
Nov 7, 2023 · Working with a large cast of characters for your novel might feel intimidating, but it’s ultimately a process for writers to revel in. By using a few tools for organization and differentiation and practicing some open, generative thinking about everyone who is going to appear on the page, we’ll create a cast that’s memorable, manageable ...
Dec 29, 2013 · Once you realize the underlying function of every character in a story you will gain a clearer vision of how to streamline your cast for maximum efficiency—and, even more importantly, how to guide each character to his full potential within the constraints of the plot.
- Stanislavski’s System. Developed by Konstantin Stanislavski, a Russian actor, director, and co-founder of the renowned Moscow Art Theatre, this method emphasizes the psychological realism of the actor’s performance.
- Method Acting. Stemming from Stanislavski’s work, Method Acting was further developed by practitioners like Lee Strasberg, Stella Adler, and Sanford Meisner.
- Meisner Technique. Developed by Sanford Meisner, this technique emphasizes spontaneous response to the environment and other actors. The “repetition exercise” is a cornerstone of the technique, designed to develop the actor’s listening and responsiveness.
- Stella Adler Technique. Like the Meisner Technique, the Adler Technique is also inspired by Stanislavski. That is no surprise, as Adler was one of Stanislavski’s students who later became an actor and highly regarded acting teacher.
A theatre company is casting seven roles for a play that has four males and three females. If 10 men and 8 women audition, how many ways can the director cast the play? (the roles are all different)?
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Aug 14, 2015 · The Three-Actor Rule. All the known and surviving Greek tragedies include more than three speaking roles or parts. The three actors' rule, always strictly applied, limited the number of actual persons allowed to play these parts to three.
