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- Chela and Chiquita are both descended from wealthy families in Asunción and have been together for over 30 years. But recently, their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality.
www.metacritic.com/movie/the-heiresses/
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Jan 14, 2019 · Chela ( Ana Brun) and Chiquita ( Margarita Irun) are remnants from once prominent families in Asunción, Paraguay. With their bank accounts dwindling, the couple sells off their families’...
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Chela and Chiquita have been a couple for over 30 years but their funds are running out. They start selling the furniture and Chela, fearing disgrace, refuses money from friends. When Chiquita gets notice to report to the city jail, charged with seeking a loan fraudulently, Chela is suddenly on her own.
Jan 16, 2019 · Chela and Chiquita (Margarita Irun) have been together for 30 years, a lesbian couple of the elite class, living in a large home in Paraguay’s capital Asunción. Their relationship is one of opposites: Chela, a painter, is introverted and subdued, while Chiquita is extroverted and passionate.
Aug 6, 2018 · Chela (Ana Brun) and Chiquita (Margarita Irun) are a Paraguayan lesbian couple who have been together three decades. Both from wealthy families, they live in an inherited apartment, but their debts are piling up – and sales of their expensive glassware and antiques are only sticking plasters for their financial woes.
- Ana Brun | Ana Ivanova | Margarita Irun
- Marcelo Martinessi
- PAR
Jan 17, 2019 · The woman in question is Chela (Ana Brun), a fiftysomething aristocrat who tends to stay in bed and leave much of the socializing to her long-time partner Chiquita (Margarita Irún), who has to...
Jan 15, 2019 · The secret is not that Chela and Chiqui are gay, but that they are broke. The grand house they share, inherited from Chela’s parents, shows signs of decrepitude.
Jun 24, 2018 · The Heiresses are Chela and Chiquita, two women from wealthy Paraguayan families, existing in the very particular destitution of the privileged. Asset-rich, cash poor, outlines on the wall where original art once hung.
