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The songs are usually written by professional songwriters, and are sung by the original cast or by vocalists that interpret show tunes and traditional pop. Broadway musicals generate a number of different songs, preludes, interludes, postludes, and theme songs. Any musical song from a Broadway musical can be considered a show tune, specifically ...
- Albums
Albums - Show Tunes Music Style Overview | AllMusic
- Artists
Artists - Show Tunes Music Style Overview | AllMusic
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Songs - Show Tunes Music Style Overview | AllMusic
- Again
Explore Again by Doris Day, Mellomen. Get track information,...
- The Definitive Collection
Cast Recordings, Show Tunes, Traditional Pop, Vocal Pop, AM...
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Mar 19, 2020 · THE TOP MUSICAL THEATRE SONGS FROM 1920-2020. 1. CABARET. [Cabaret; 1966; music by John Kander; lyrics by Fred Ebb] Cabaret is one of the most groundbreaking shows in musical theatre history ...
- Peter Nason
Show tune. "Queen of my Heart", the hit song of Dorothy, was very popular as a parlour ballad. A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. [2]
The songs are usually written by professional songwriters, and are sung by the original cast or by vocalists that interpret show tunes and traditional pop. Broadway musicals generate a number of different songs, preludes, interludes, postludes, and theme songs. Any musical song from a Broadway musical can be considered a show tune, specifically ...
The songs are usually written by professional songwriters, and are sung by the original cast or by vocalists that interpret show tunes and traditional pop. Broadway musicals generate a number of different songs, preludes, interludes, postludes, and theme songs. Any musical song from a Broadway musical can be considered a show tune, specifically ...
Mar 29, 2024 · 8. “Losing My Mind” from Follies (1971) In Finishing the Hat, Stephen Sondheim modestly describes this trembling torch song as “less an homage to, than a theft of” George Gershwin’s ...
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The team did quite well—with songs like I’m in the Mood for Love—until Jerome Kern needed a lyric for a new song added to the 1935 movie version of ROBERTA [November 18, 1933]. Fields got the assignment and the pair came up with Lovely to Look At.
