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  1. His mica-ground portraits served as images of a confluent physical and emotional reality to far greater degree than did the actor portraits of earlier ukiyo-e artists. Sharaku's Onnagata. Arguably the most extraordinary portraits by Sharaku are those of fleshy, middle-aged actors performing the roles of young women.

    • Japanese
    • Japan
    • Soga Gorō and Gosho Gorōmaru Tōshūsai Sharaku 1794.
    • Osagawa Tsuneyo II as Okinu, wife of Chōemon Tōshūsai Sharaku 1794.
    • Kabuki Actor Osagawa Tsuneyo II, Possibly in the Rôle of Ippei's Sister Osan Tōshūsai Sharaku 1794.
    • Nakajima Wadaemon I as Tanbaya Hachiemon Tōshūsai Sharaku 1794.
  2. Sep 8, 2023 · Sharaku’s portrait of Komazo is one of several printed on a ground of thick, dark silver mica, a precious material reserved for a select few artists. Over his ten-month period working with Tsutaya, Sharaku produced about 140 prints, including 28 actor portraits, each astonishingly bold.

  3. Apr 28, 2001 · Sharaku burst onto the ukiyo-e printmaking scene in May 1794, leaving a lasting impact with approximately 140 woodblock prints in just ten months before vanishing mysteriously. His sudden departure has sparked numerous theories and inspired extensive literary exploration, creating one of art history's enduring mysteries.

  4. en.wikipedia.org › wiki › SharakuSharaku - Wikipedia

    Though disputed, Sharaku's prints have been said to resemble the masks of Noh theatre; [14] connections have been deduced from numerous documents that suggest to some researchers that Sharaku was a Noh actor serving under the lord of Awa Province, in modern Tokushima Prefecture.

  5. Sharaku was a pivotal ukiyo-e artist of the 18 th century. Very little is known about Sharaku’s life, save that he lived in Edo. During his ten-month career, Sharaku's art prints were of such high caliber that modern critics compare his genius to that of Rembrandt.

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  7. Oct 5, 2023 · How did Toshusai Sharaku learn to create his original Ukiyo-e prints? Some say that Sharaku was one of the disciples of Utagawa Toyokuni and Utagawa Kunisada because of his painting style, while others say that he was able to establish his unique painting style because he was self-taught.

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