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Raymond Scott
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- Stalling's main source of musical inspiration, however, were the works of Raymond Scott; Scott's "Powerhouse" theme is forever linked with Stalling's work for Warners.
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Stalling encouraged Disney to create a new series of animated short films, in which the animation and its action would be created to match the music. This was still unusual at the time, since film music was played or composed to match the action of a film. [ 1 ]
Oct 16, 2023 · In the early 1930s, Carl Stalling made the decision to leave Disney Studio and join the ranks of Warner Bros. Cartoons, where he continued to make significant contributions to the world of animation. At Warner Bros., Stalling’s musical genius found an ideal canvas to shine.
Aug 23, 2010 · Soon after his first cartoon with music (Steamboat Willie, 1928), Walt Disney hired Carl Stalling as his music director. Stalling provided music for many more cartoons over the next few years, including the earliest Silly Symphonies.
May 23, 2018 · The two initiated a correspondence when Disney left for Hollywood, and Disney later hired Stalling as musical director for his new film studio in 1928—just as sound was poised to become an integral part of film. The earliest cartoons had no music, but Stalling would change that.
By the 1920s, he was leading his own orchestra and creating music to accompany silent films at the Isis Theater, Kansas City. Stalling was invited to score two animated shorts by Walt Disney. His soundtracks included cartoons such as “The Skeleton Dance”, the first of the Silly Symphonies Series.
As a result, a new interest in cartoon music began to emerge in the early 1990s. Through the CDs, Stalling suddenly became visible to animation fans who had never before thought about him or his work for the cartoons.
Dec 5, 2003 · Walt Disney discovered Stalling in the early ‘20s at Kansas City’s Isis Theater, where Stalling was conducting his own orchestra and improvising on the organ to silent movies.