Yahoo Web Search

Search results

  1. After Stalling retired in 1958, he was succeeded by Milt Franklyn, who had assisted Stalling as an arranger since the mid 1930s and was promoted to musical director in the early 1950s. Stalling and Franklyn had shared credits for musical direction during the last years of Stalling's tenure.

  2. Aug 23, 2010 · Soon after his first cartoon with music (Steamboat Willie, 1928), Walt Disney hired Carl Stalling as his music director. Stalling provided music for many more cartoons over the next few years, including the earliest Silly Symphonies.

  3. His musical education began when he was a child, playing on a toy piano for hours. He saw Edwin S. Porter’s first film, The Great Train Robbery at five years old. This ignited a passion for cinema and many years later, he was hired to play the piano during reel changes at the local movie house.

  4. Jan 19, 2015 · Stalling was a prolific American composer whose orchestral music reached millions in those classic Warner Brothers cartoons featuring Bugs Bunny and his Merrie Melodies.

    • where did stalling get his musical inspiration for a long life1
    • where did stalling get his musical inspiration for a long life2
    • where did stalling get his musical inspiration for a long life3
    • where did stalling get his musical inspiration for a long life4
    • where did stalling get his musical inspiration for a long life5
  5. Oct 16, 2023 · Stalling was born on November 10, 1891, in Lexington, Missouri. With an innate musical talent, he began his career as an organ accompanist for silent films at the Isis Movie Theatre in Kansas City, Missouri. His virtuosity captivated audiences in the early 1920s.

  6. May 23, 2018 · Stalling's musical career in the 1920s was spent as an accompanist and director in silent movie houses in the Kansas City area. Sound had not yet become a part of film. Each theater typically had its own orchestra that performed live for each showing of a movie.

  7. People also ask

  8. According to music critic Neil Strauss, the chance meeting between Stalling and Disney in the early 1920s was of great importance to the development of music for animation. [1][2] Stalling was at his job at the Isis Movie Theatre, demonstrating his ability to combine well-known music by other creators with his own, improvised compositions.

  1. People also search for