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Stalling composed music for the Rossini-derived short The Rabbit of Seville, and linked Smetana's "The Dance of the Comedians" to Wile E. Coyote and the Road Runner. Stalling is remembered today for the scores of cartoons that remain popular, and are often remembered for their music.
By the 1920s, he was leading his own orchestra and creating music to accompany silent films at the Isis Theater, Kansas City. Stalling was invited to score two animated shorts by Walt Disney. His soundtracks included cartoons such as “The Skeleton Dance”, the first of the Silly Symphonies Series.
Stalling is credited with both the composition and the musical arrangement of The Skeleton Dance (1929), the first of the Silly Symphonies. These cartoons allowed Stalling to create a score that Disney handed to his animators.
Stalling composed music for the Rossini -derived short The Rabbit of Seville, and linked Smetana's " The Dance of the Comedians " to Wile E. Coyote and the Road Runner. Stalling is remembered today for the scores of cartoons that remain popular, and are often remembered for their music.
Aug 23, 2010 · Soon after his first cartoon with music (Steamboat Willie, 1928), Walt Disney hired Carl Stalling as his music director. Stalling provided music for many more cartoons over the next few years, including the earliest Silly Symphonies.
May 23, 2018 · Stalling's musical career in the 1920s was spent as an accompanist and director in silent movie houses in the Kansas City area. Sound had not yet become a part of film. Each theater typically had its own orchestra that performed live for each showing of a movie.
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Mar 30, 2018 · Starting out as an organist at the Isis Theater in Kansas City, accompanying and improvising for silent films, Stalling was initially scouted by Walt Disney in the 1920s and began scoring for Mickey Mouse cartoons.