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Raymond Scott
wolfgangs.com
- Stalling's main source of musical inspiration, however, were the works of Raymond Scott; Scott's "Powerhouse" theme is forever linked with Stalling's work for Warners.
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After Stalling retired in 1958, he was succeeded by Milt Franklyn, who had assisted Stalling as an arranger since the mid 1930s and was promoted to musical director in the early 1950s. Stalling and Franklyn had shared credits for musical direction during the last years of Stalling's tenure.
Oct 16, 2023 · With an innate musical talent, he began his career as an organ accompanist for silent films at the Isis Movie Theatre in Kansas City, Missouri. His virtuosity captivated audiences in the early 1920s. Walt Disney got his start at the Isis as well by drawing commercial slides for the theatre.
Aug 23, 2010 · Beginning in 1936, he worked for Warner Bros. and wrote all of the cartoon music there (including Bugs Bunny, Daffy Duck, Road Runner, Porky Pig, and Sylvester) for 22 years until his retirement in 1958. Stalling saw his first movie at age 12 in1903 and vowed to be involved in movies in some way.
By the 1920s, he was leading his own orchestra and creating music to accompany silent films at the Isis Theater, Kansas City. Stalling was invited to score two animated shorts by Walt Disney. His soundtracks included cartoons such as “The Skeleton Dance”, the first of the Silly Symphonies Series.
May 23, 2018 · Stalling's musical career in the 1920s was spent as an accompanist and director in silent movie houses in the Kansas City area. Sound had not yet become a part of film. Each theater typically had its own orchestra that performed live for each showing of a movie.
Mar 30, 2018 · Starting out as an organist at the Isis Theater in Kansas City, accompanying and improvising for silent films, Stalling was initially scouted by Walt Disney in the 1920s and began scoring for Mickey Mouse cartoons.
Stalling's musical career in the 1920s was spent as an accompanist and director in silent movie houses in the Kansas City area. Sound had not yet become a part of film. Each theater typically had its own orchestra that performed live for each showing of a movie.
