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INTRODUCTION. Conversations are provisional and unpredictable, but they have the potential to put us in contact with people from other places and times — or as John Akomfrah says, when confronted with conversation as a method of working, one can retrieve things. This conversation originates from a special interest in the work of Akomfrah.
John Akomfrah (b. 1957 Accra, Ghana) is an artist, filmmaker, theorist, and curator. He is the cofounder of the Black Audio Film Collective, an influential association that examined black British identity through film and media. Akomfrah has been included in group exhibitions around the world, and has had
Akomfrah uses montage techniques to connect apparently disconnected things, events, times and space into a kaleidoscopic image that mirrors Hall’s theorisation of the black diasporic subject.
Akomfrah opens Five Murmurations with details of The Conjuror, Hieronymus Bosch’s examination of the human capacity for deception. It is the Italian Renaissance painter Andrea Mantegna’s canvas The Lamentation over the Dead Christ, however, that speaks to the pathos and banality of lives lost. For Akomfrah, the distorted perspective of
Backed by the mellow sounds of Miles Davis, Akomfrah directs an intimate collage of archival footage, depicting Hall’s personal and public life, the political context, and the groundbreaking theoretical work on race, culture and the new left that emerged from them. But how has Hall’s political career pre-pared us for the challenges we face today?
Ghanaian born John Akomfrah, CBE RA, is a London-based artist, screenwriter, film director, curator, and critical thinker whose lyric works grapple with such defining issues of our times as climate change, migration, racism, and the legacies of colonialism and slavery.
John Akomfrah. The Last Angel of History follows the quest of a man known as the Data Thief, who seeks the keys to the future. He turns to his computer as a new source of access to knowledge in the 1990s.
