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Reminiscences of Rosa Bonheur, edited by Theodore Stanton (the son of Elizabeth Cady Stanton), was published in London and New York in 1910. It includes numerous correspondences between Bonheur and her family and friends, in which she describes her art-making practices.
- Childhood and Education
- Early Period
- Mature Period
- Late Period and Death
- The Legacy of Rosa Bonheur
Rosa Bonheur (née Marie-Rosalie) was the oldest of four children, two girls and two boys, born to an idealistic artist father, Oscar-Raymond, and a patient piano teacher mother, Sophie. Interestingly, all four of the children grew to be talented and successful artists. The family moved from rural Bordeaux to Paris in 1829 when Rosa was six years ol...
At the age of 14, in 1836, Bonheur's father sent her to study painting and sculpture at the Louvre where she was one of the youngest students. She continued to work in the family studio which she described as "...a confusion of all sorts of odds and ends..." whilst at the same time attending the Louvre where the students copied the Dutch master pai...
In 1851, Bonheur established a relationship with an art dealership, the house of Goupil in Paris. Throughout the next years her painted images would be reproduced by Lefèvre in London and Goupil and Peyrol in Paris, disseminating her name and image, thereby increasing her fame beyond the scope of Salon visitors and clients. The pinnacle of Bonheur'...
Bonheur was extremely happy in her secluded existence in the village of By. She usually began her day at dawn, walking to find a suitable place in the forest where she could work until dusk. She saw fewer other artists than in previous years, except for Chardin who remained a dear friend and often came to sketch. In the evenings, Bonheur and her cl...
Rosa Bonheur became a commercially successful painter at a time and place when few women were successful at pursuing a career in the arts. Europeans of the nineteenth century considered art to be a lady's pastime pursued at her home but due to her father's training and influences, Bonheur approached her artwork as her profession. Bonheur's staunch ...
- French
- March 16, 1822
- Bordeaux, Gironde, France
- May 25, 1899
Her work rapidly gained popularity in the United States and Britain. The Horse Fair (1853), considered by many to be her masterpiece, was acquired in 1887 by Cornelius Vanderbilt for a record sum and became one of her most widely reproduced works; Vanderbilt donated the piece to the Metropolitan Museum of Art in New York City .
She first exhibited at the Salon of 1841 with two animal paintings. In subsequent years, she would also send in Sculptures she had made in the likeness of Sheep and bulls. In 1843 she won a third-class medal. She won a first-class medal in 1848 with Ploughing in the Nivernais.
Apr 12, 2024 · Key Takeaways. Rosa Bonheur was an eminent 19th-century French painter and sculptor renowned for her realistic animal depictions. She achieved widespread recognition with major works such as Ploughing in the Nivernais and The Horse Fair, challenging gender barriers in the art world.
- ( Head of Content, Editor, Art Writer )
- May 25, 1899
- March 16, 1822
- Realism
Apr 18, 2020 · Rosa Bonheur (March 16, 1822–May 25, 1899) was a French painter, best known today for her large scale painting the Horse Fair (1852-1855), which is part of the collection at the Metropolitan Museum of Art. She was the first woman to receive France’s Cross of the Legion of Honor, in 1894.
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Jun 26, 2024 · In 19th-century France, Marie-Rosalie (Rosa) Bonheur was possibly the richest and most famous female artist. She boldly pioneered both in her artistic pursuits and personal life. Later, her work went out of fashion, and her name faded into obscurity.
