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Walon Green was nominated in 1970 for an Oscar for best original screenplay for The Wild Bunch. He was awarded an Oscar in 1972 for his documentary The Hellstrom Chronicle , for which he also won The Technical Grand Prize at Cannes in 1971 and the Flaherty Documentary Award.
Writing (Story and Screenplay--based on material not previously published or produced) - Story by Walon Green, Roy N. Sickner; Screenplay by Walon Green, Sam Peckinpah
1970 Nominee Oscar. Best Writing, Story and Screenplay Based on Material Not Previously Published or Produced; The Wild Bunch
- December 15, 1936
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Anne of the Thousand Days – Hal B. Wallis Butch Cassidy and the Sundance Kid – John Foreman Hello, Dolly! – Ernest Lehman Midnight Cowboy – Jerome Hellman Z– Jacques Perrin, Hamed Rachedi
Alice’s Restaurant – Arthur Penn Butch Cassidy and the Sundance Kid – George Roy Hill Midnight Cowboy – John Schlesinger They Shoot Horses, Don’t They? – Sydney Pollack Z– Costa-Gavras
Richard Burton – Anne of the Thousand Days Dustin Hoffman – Midnight Cowboy Peter O’Toole – Goodbye, Mr. Chips Jon Voight – Midnight Cowboy John Wayne – True Grit
Genevieve Bujold – Anne of the Thousand Days Jane Fonda – They Shoot Horses, Don’t They? Liza Minnelli – The Sterile Cuckoo Jean Simmons – The Happy Ending Maggie Smith – The Prime of Miss Jean Brodie
Rupert Crosse – The Reivers Elliott Gould – Bob & Carol & Ted & Alice Jack Nicholson – Easy Rider Anthony Quayle – Anne of the Thousand Days Gig Young – They Shoot Horses, Don’t They?
Catherine Burns – Last Summer Dyan Cannon – Bob & Carol & Ted & Alice Goldie Hawn – Cactus Flower Sylvia Miles – Midnight Cowboy Susannah York – They Shoot Horses, Don’t They?
Anne of the Thousand Days – John Hale, Bridget Boland, Richard Sokolove Goodbye, Columbus – Arnold Schulman Midnight Cowboy – Waldo Salt They Shoot Horses, Don’t They? – James Poe, Robert E. Thompson Z– Jorge Semprun, Costa-Gavras
“Come Saturday Morning” – The Sterile Cuckoo – Music by Fred Karlin; Lyrics by Dory Previn “Jean” – The Prime of Miss Jean Brodie – Music, Lyrics by Rod McKuen “Raindrops Keep Fallin’ On My Head” – Butch Cassidy and the Sundance Kid – Music by Burt Bacharach; Lyrics by Hal David “True Grit” – True Grit – Music by Elmer Bernstein; Lyrics by Don Blac...
Hello, Dolly! – William Reynolds Midnight Cowboy – Hugh A. Robertson The Secret of Santa Vittoria – William Lyon, Earle Herdan They Shoot Horses, Don’t They? – Fredric Steinkamp Z– Françoise Bonnot
Anne of the Thousand Days – Arthur Ibbetson Bob & Carol & Ted & Alice – Charles B. Lang Butch Cassidy and the Sundance Kid – Conrad Hall Hello, Dolly! – Harry Stradling Marooned– Daniel Fapp
2000 Nominee Oscar. Best Writing, Screenplay Based on Material Previously Produced or Published; Frank Darabont
Walon Green was nominated in 1970 for an Oscar for best original screenplay for The Wild Bunch. He was awarded an Oscar in 1972 for his documentary The Hellstrom Chronicle, for which he also won The Technical Grand Prize at Cannes in 1971 and the Flaherty Documentary Award.
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He was awarded an Oscar in 1972 for his documentary The Hellstrom Chronicle, for which he also won The Technical Grand Prize at Cannes in 1971 and the Flaherty Documentary Award. He was nominated for Primetime Emmys in 1986 for Hill Street Blues, in 1993 and 1994 for his work on Law & Order and won an Emmy in 1995 for his writing on NYPD Blue.