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  1. As the war settled into a long stalemate, the issue of Polish self-rule gained greater urgency. Roman Dmowski spent the war years in Western Europe, hoping to persuade the Allies to unify the Polish lands under Russian rule as an initial step toward liberation.

  2. Oct 11, 2016 · Andrzej Wajda’s films may be viewed as a journey through Polish history – the director dealt with Polishness and Jewishness, national myths and tragedies, and the Solidarity movement, amongst many other matters.

  3. When Wajda was born (in Suwałki, northeastern Poland, on 6 March 1926), what we think of as present-day Poland had existed for just over seven years, having achieved its independence from Germany as a by-product of the end of WWI.

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  4. Wajda was born in Suwałki, [10] the son of Aniela (née Białowąs), a school teacher, and Jakub Wajda, an army officer. [11] In 1942, he joined the Polish resistance and served in the Home Army . After the war, he studied to be a painter at Kraków's Academy of Fine Arts before entering the Łódź Film School , [ 12 ] where many famous ...

  5. Oct 11, 2016 · Wajda’s more than 60-year career began with degrees in painting at the Academy of Fine Arts in Kraków and in directing from the Łódź Film School. He began these studies after World War II, during which he fought in the Home Army of the Polish underground resistance to Nazi occupation.

  6. Aug 31, 2020 · Wajda wasn’t wrong: the “carnival of solidarity” only lasted only until December 1981, when the junta of General Wojciech Jaruzelski crushed it with an iron fist. Before that happened, Wajda was able to screen the movie before Polish audiences, thanks to a wide distribution in the country’s cinemas.

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  8. In Andrzej Wajda’s debut film “A Generation” (1954) there are no great historical figures known in historiography. On the contrary, the director focuses on showing on screen the fates of ordinary anonymous people, workers from lower classes. The action of the film is set during the World War Two in the

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