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1942
- In 1942, he joined the Polish resistance and served in the Home Army.
en.wikipedia.org/wiki/Andrzej_Wajda
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Then Wajda directed Samson (1961), the story of Jacob, a Jewish boy, who wants to survive during the Nazi occupation of Poland. In the mid-1960s Wajda made The Ashes (1965) based on the novel by Polish writer Stefan Żeromski and directed several films abroad: Love at Twenty (1962), Siberian Lady Macbeth [ 16 ] [ 17 ] (1962) and Gates To ...
At the start of World War I, Polish territory was divided between the Russian, German and Austro-Hungarian empires, and became the scene of many operations of the Eastern Front of World War I. In the aftermath of the war, following the collapse of the Russian, German and Austro-Hungarian Empires, Poland became an independent republic.
Oct 11, 2016 · Andrzej Wajda’s films may be viewed as a journey through Polish history – the director dealt with Polishness and Jewishness, national myths and tragedies, and the Solidarity movement, amongst many other matters.
When Wajda was born (in Suwałki, northeastern Poland, on 6 March 1926), what we think of as present-day Poland had existed for just over seven years, having achieved its independence from Germany as a by-product of the end of WWI.
Oct 5, 2024 · Andrzej Wajda (born March 6, 1926, Suwałki, Poland—died October 9, 2016, Warsaw) was a Polish director and screenwriter who was a leading figure in the “Polish film school,” a group of highly talented individuals whose works brought international recognition to their country’s post-World War II reality.
- The Editors of Encyclopaedia Britannica
A world-renowned Polish director, Andrzej Wajda was born into an army officer's family in the town of Suwalki in 1926. His father was killed by the Soviets in Katyń Forest in 1940. As a teenager, Wajda took part in the resistance movement against the Nazis.
Oct 12, 2016 · In his films, the Polish director Andrzej Wajda, who died on October 9 at age 90, relentlessly investigated history, particularly his homeland’s treatment of Jews. In Wajda’s films such as...
