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  2. en.wikipedia.org › wiki › Tony_PastorTony Pastor - Wikipedia

    In 1874, Pastor moved his company a few blocks to take over Michael Bennett Leavitt's former theater at 585 Broadway. The theater district was moving uptown to Union Square, however, and in 1881 Pastor took a lease on the former Germania Theatre on 14th Street in the same building that housed Tammany Hall .

  3. Tony Pastor (April 26, 1833-August 26, 1908) was known as the Father of Vaudeville for his contributions as a performer and manager of variety entertainment. Pastor began his career as a circus clown, later shifting to comic singer on stage, and finally to manager and entrepreneur.

  4. May 28, 2010 · Pastor began performing regularly at a music hall at 444 Broadway, just after the Civil War broke out in 1861. It was such a dive it never had a name; it was always called simply “444”. The bar offered variety entertainment, with Pastor functioning in a role similar to that of the chairman in the English music hall.

  5. Mar 26, 2017 · Tony Pastor’s first theatre, known as Pastor’s Opera House, was at 199–201 Bowery, and he opened it in 1865.

    • Gillian M. Rodger
    • 2017
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    • Tony Pastor’s Theater

    From the age of eight, Pastor was performing for the delight of his Lower West-Side neighbors, who would occasionally throw a few pennies his way. In 1843, he made his official public debut for the Hand in Hand Society, a temperance association with which he would be associated for several years. In the fall of 1846 he became affiliated with P.T.Ba...

    As the burnt cork -smeared face was coming into vogue, Pastor immediately became a part of that aspect of show business, which served him well for many years. For some years he continued working in various ‘menageries’ and circuses until he made his variety debut in Philadelphia at Frank Rivers’ Melodeon in the autumn of 1860. Following that Pastor...

    Tony Pastor was indefatigable in his steady performances of Civil War songs, including “March for the Union,” “We are Marching to the War,” “Ye Sons of Columbia” and his own compositions celebrating the various victories of the Northern troops. Some of these songs were “The Monitor and the Merrimac,” “The Peaceful Battle of Manassas,'” “Sumter, the...

    “Tony Pastor’s New Fourteenth Street Theatre” was situated on the north side of East 14th Street between Irving Place and Third Avenue. Here Pastor would present such musical stars as Lillian Russell, May Irvin, Florence Merton, Kitty O’Neil, Niles and Evans, Sheehan and Jones and others, many of whom were Pastor discoveries. A woman called Sophie ...

    Pastor’s theatre began its decline in the early years of the 20th century, due, in no small way, to the proliferation of cheap nickel shows that seemed to sprout up overnight. Tony was getting older and unable to keep up the pace of performing that he had set for himself, and the palsy that had just been an irritation was now taking hold of him mor...

  6. Pastor appeared on the stage from childhood and became an experienced acrobat, dancer, and singer. He opened his first theater at 444 Broadway, New York City, in 1861. Thereafter he opened two more Broadway theaters, and in 1881 began presenting shows at his best-known playhouse on 14th St.

  7. In 1865, Pastor purchased the Volks Garden in the Bowery and renamed it Tony Pastor's Opera House. Ten years later, Pastor moved out of the deteriorating Bowery to a theater at 585 Broadway. By 1881, Pastor had moved into the 14th Street Theater on Union Square at the center of the Rialto, the emerging entertainment district of the time.

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