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1507
- ‘Christ Carrying the Cross’ was created in 1507 by Titian in High Renaissance style.
www.wikiart.org/en/titian/christ-carrying-the-cross-1507Christ Carrying the Cross, 1506 - 1507 - Titian - WikiArt.org
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Christ Carrying the Cross (also Ecce Homo) is an oil painting attributed to either Titian or Giorgione. It is dated to about 1505. The painting is housed in the Scuola Grande di San Rocco in Venice, Italy. [1] There are several later versions of the subject by Titian.
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The ...
Sep 12, 2019 · Christ Carrying the Cross (also Ecce Homo) is a 1505 oil painting attributed to either the Italian Renaissance master Titian or Giorgione. It is located in the Scuola Grande di San Rocco in Venice, Italy.
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition.
The work's composition inspired numerous painters in Veneto and Lombardy, such as Lorenzo Lotto, Giovanni Bellini and Andrea Solario. Jesus is portrayed with a cross on his shoulder, on a dark background, while an executioner is holding a noose on his neck.
A copy of this painting, by Titian´s own hand, also survives and is today housed in the State Hermitage Museum, Saint Petersburg. The assignment of the later date to the painting is supported by Titian´s layering of short brushstrokes thick with diverse colours, which was characteristic of his last period.Who commissioned this second version?
Titian’s religious compositions after his visit to Rome in 1545–46 reveal to some degree his contact with ancient art and the works of Michelangelo. In Christ Crowned with Thorns the burly muscular figures are thus explained, as perhaps is the violence of the whole interpretation.
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