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1700–1865
- This chapter covers about 250 years (c. 1700–1865) of art made during a period of dramatic shifts and changes that reflect the cultural fluidity in the American colonies (and later, the United States).
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- Native American Art
- Folk Art
- American Architecture
- Hudson River School
- Luminism
- Tonalism
- American Impressionism
- Ashcan School
- Photography: pictorialism, Straight Photography, and Beyond
- Synchromism
Before Europeans colonized North America, rich, complex art traditions flourished among many indigenous tribes who had developed a highly stylized vocabulary that employed complex geometric patterns and used near abstracted forms that both evoked the natural world and symbolized ancestral and mythological stories. The objects were often utilitarian...
Much American folk art is utilitarian in nature, as sculptures were primarily figureheads for ships, weathervanes, and carved gravestones, but framed embroideries and velvet paintings were also made for wall decorations. Early American folk painters were called limners, from a term limning, meaning, "to outline in clear, sharp detail." Often self-t...
After the Revolutionary War, when the young nation was building its identity, early American architecture drew from British and Neoclassical architecture. Based on the work and theory of the Venetian Renaissance architect, Andrea Palladio, Neoclassicism was the dominant architectural style in 18th-century Europe. Thomas Jefferson, the third preside...
The Hudson River School, led by Thomas Cole, who was born in Britain but emigrated to the United States when he was seventeen, was the first recognized American art movement. Centered in upper New York state, which was then wilderness, the artists associated with the movement emphasized the sublime and unique beauty of the American landscape. Influ...
The term Luminism was developed by art historians in the 1950s to identify a style that flourished from 1850-1870 among a number of American landscape painters. They drew upon a number of influences, including the landscape painting of the Dutch Golden Age, photography, and the genre landscapes of George Harvey, William Sidney Mount, and George Cal...
Tonalism emerged in the early 1870s in James McNeill Whistler's series of Nocturnes that emphasized tonal harmonies, often in muted greens, blues, and dark colors, to depict landscapes at twilight. Of works like his famous and controversial Nocturne in Black and Gold: The Falling Rocket (c.1875), Whistler said, "A nocturne is an arrangement of line...
American Impressionism was primarily inspired and influenced by the French Impressionists, including Claude Monet, Pierre-August Renoir, and Alfred Sisley among others, who first exhibited together in Paris in 1874. French Impressionism influenced both the expatriates John Singer Sargent and James McNeill Whistler, though neither fully embraced the...
The Ashcan School was a group of artists including John Sloan, George Luks, Everett Shinn, and William James Glackens, all students of Robert Henri, then located in Philadelphia. Drawing upon earlier masters, including Diego Velázquez, Francisco de Goya, and the later Realists like Édouard Manet, the group employed classical methods to create reali...
Modern Photography, emerging out of scientific explorations of botany, archaeology, and movement, incorporated a host of artistic styles. Pictorialism was an international photographic movement that used darkroom manipulations, composite images, posed and staged scenes, and blurred and soft focus to emphasize individual expression. Beginning in Bri...
Synchromism emphasized abstract paintings that primarily employed the color scale to create a visual "symphony," or musical effect. Morgan Russell and Stanton Macdonald-Wright, both young Americans living in Paris, founded America's first avant-garde movement in 1912. They adopted the color theories of Ernest Percyval-Tudor, a Canadian living in Pa...
Exploring our artworks in chronological order by era helps students to put the artworks into the context of important events and topics in American history. Each pair of artworks corresponds to specific United States History Content Standards, which you’ll find in our Curriculum Connections section.
Oct 21, 2014 · Turning tides. The Whitney Biennial began life in 1932, when it was not a biennial at all but occurred every year. (It switched to the biennial format in 1973.) The show had the explicit aim of...
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place.
Emerging in the mid 1950s in Britain and late 1950s in America, pop art reached its peak in the 1960s. It began as a revolt against the dominant approaches to art and culture and traditional views on what art should be.
June 2008. The Arts and Crafts movement emerged during the late Victorian period in England, the most industrialized country in the world at that time. Anxieties about industrial life fueled a positive revaluation of handcraftsmanship and precapitalist forms of culture and society.