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  1. Venus and Adonis. Titian (Tiziano Vecellio) Italian. 1550s. On view at The Met Fifth Avenue in Gallery 608. Tales from Ovid’s Metamorphoses inspired Titian to paint what he called poesie, or poetry in paint. Here, Venus tries to stop her lover from departing for the hunt, fearing—correctly—that he would be killed.

    • Venus and Adonis

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  2. Sep 29, 2023 · Adonis often appeared as a young and beautiful young man in ancient Greco-Roman art. He was often depicted as having an idealistic, athletic physique and perfect facial features. He was represented as the pinnacle of male beauty in works of art such as ancient sculptures and vase paintings.

    • Male
    • Adonis
    • Desire, beauty, mortality, seasonal rebirth
    • Serious and obedient
  3. Adonis’ story has also deeply shaped our literature and art, outside its original roots. For example, Shakespeare wrote “Venus and Adonis” in 1593. Over the years, masterpieces like Titian’s “Venus and Adonis” and Rubens’ “Venus Lamenting over the Dead Adonis” have been created.

  4. Sep 25, 2020 · Adonis’ beauty is celebrated in Classical art as well as in verse. Many vases and urns recovered in anthropological digs are decorated with images of Aphrodite, or Venus as she was called by the Romans, together with Adonis.

  5. Sep 23, 2024 · The myth of Aphrodite and Adonis has inspired countless artists throughout history. In ancient times, depictions of the couple often emphasized their beauty and the tragic nature of their love. Ancient Art: Sculptures and pottery frequently portrayed scenes from their story, illustrating the tension between love and loss.

  6. Titian’s Venus and Adonis was greatly admired and proved very influential. He made the subject one of the most popular in secular European painting, and also favoured for small bronze sculptural groups. Shakespeare’s long poem Venus and Adonis published in 1593 may reflect some knowledge of Titian’s work.

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  8. The Death of Adonis. The son of Guillaume-Thomas Taraval, appointed artist to the court of Frederick I of Sweden, Hugues Taraval after his father’s death studied at the workshop of Jean-Baptiste Pierre (ca. 17131789).

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