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  2. May 21, 2021 · In When a Woman Ascends the Stairs, one key movement is similarly repeated four times: Takamine ascending the stairs to get to her bar. The first time she does this, she tells us on the voice-over: “I hated climbing these stairs more than anything.

  3. Sep 7, 2019 · Summary: When a Woman Ascends the Stairs is a careful character study of Keiko, a widowed bar hostess in Tokyo’s fashionable Ginza neighbourhood. At age 30, Keiko faces three life choices: to remarry before her society regards her as too old to do so, to become a kept woman of a wealthy business owner, or.

  4. Jun 9, 2015 · When a Woman Ascend the Stairs is a gem from Naruse, unmatched in his virtuosity for tackling themes about women and society. Keiko’s ritualistic ascending of the stairs is now a classic cinematic allusion of the social rigors faced by modern women in materialist and pacifist Japan, for whom the means of economic survival are limited.

    • Mel Aguilar
  5. When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour—a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's very modern postwar Ginza district, who entertains businessmen after work.

    • Keiko Yashiro
  6. Jun 26, 2007 · Battling to support her family and keep her own long-suppressed emotions in check, each night that she climbs the stairs to smile at the clientele is a painful reminder of her limited options.

  7. Oct 1, 2019 · Still, her entire existence can be summed up by one early shot: presenting the daunting stairs winding up ahead of her toward her livelihood. In a practical sense, they lead up to the bar she dutifully frequents every evening and yet Naruse’s shot comes to represent something far more.

  8. Mikio Naruse's When A Woman Ascends The Stairs is a piercing study of the throes of women amidst post-war Japan. Depressingly cyclical, thronged with parallels and foreshadowing, the film examines the world these women live in: male-dominated and male-dependent.

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