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- A major compositional force in the jazz world, Mingus broke beyond all boundaries of genre, being a seminal contributor to bebop, avant-garde jazz, post-bop, Third Stream, orchestral jazz, and free jazz. Considered a genius of innovation and an extraordinarily inventive composer, he is a revered figure.
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Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered one of the greatest jazz musicians and composers in history, [1] with a career spanning three decades and collaborations with other jazz greats ...
- Music Division, Library of Congress
- Charles Mingus Collection
Oct 18, 2024 · Mingus drew inspiration from Duke Ellington, Charlie Parker, Thelonious Monk, African American gospel music, and Mexican folk music, as well as traditional jazz and 20th-century concert music.
- The Editors of Encyclopaedia Britannica
Jun 7, 2021 · Bandleader Charles Mingus was a notable jazz musician of the mid-twentieth century. He helped pioneer the concept of collective improvisation.
Mingus was an accomplished pianist as well as bassist, and his love of the two instruments, especially the harmonic richness of the former, was vital in his artistic development. Furthermore, he was able to nurture considerable talent in contexts such as the Jazz Composers Workshop where players yielded much spontaneous collective dynamism.
Apr 22, 2022 · Born 100 years ago in 1922, Mingus was an American jazz double bassist, pianist, composer, and bandleader. He is often regarded as one of the greatest jazz composers of the 20th century.
- Sophia Alexandra Hall
Mar 1, 2002 · This biography leaves no doubt that Charles Mingus was a major figure in the history of jazz and American music. He was a bassist without peer, a seminal influence on contemporary musicians, and the leader of a number of legendary jazz workshops, combos, and big bands.
Mingus chafed at being called a jazz composer and disparaged the term “jazz” altogether. “Don’t call me a jazz musician,” he said in 1969. “The word jazz means… discrimination, second-class citizenship, the back-of-the-bus bit.”. Accordingly, his music moved beyond the confines of traditional jazz.
