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- Their stop-motion animations have introduced a generation of viewers to a lyrical darkness not often associated with animation. Influenced heavily by Central European writers and artists, their work reflects the dark psychology resulting from a century of industrial warfare, surrealist art, and dialectical politics.
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Apr 6, 2018 · The Quay brothers, however, are unique, tapping into a sense of early 20th-century Europe that is a place of dusty nightmares, folkloric paraphernalia and crumbling institutes filled with the dispossessed.
Mar 13, 2002 · From their stumbling upon the term ‘Kafkaesque’ in 1968 to the ferocious beauty of their film In Absentia (2000), the Quays have never stopped sketching out in their minds or with their lenses the blurred signs and lines of otherness.
- André Habib
Oct 15, 2024 · Timothy and Stephen Quay have developed an entirely unique style in the world of stop-motion animation: vigorously kinetic yet meticulously controlled; balletic in its interweaving of aural and visual rhythms; full of the sort of trivia and esoterica that fascinated Borges and Pessoa; and given to looped sequences of pure, sensual, cinematographic abstraction. Their latest
Aug 10, 2012 · Identical twins Stephen and Timothy Quay are masters of dust. They’re a lot of other things, too: accomplished filmmakers, innovative puppeteers, adaptors and calligraphers and collectors...
1979–present. Stephen and Timothy Quay (/ ˈkweɪ / KWAY; born June 17, 1947) are American identical twin brothers and stop-motion animators who are better known as the Brothers Quay or Quay Brothers. They received the 1998 Drama Desk Award for Outstanding Set Design for their work on the play The Chairs. [1]
Aug 30, 2024 · Sanatorium Under The Sign Of The Hourglass is the third feature-length film from acclaimed UK-based animator twins The Quay Brothers. A blend of stop-motion animation and live action, it is ...
Oct 5, 2016 · Inner Sanctums—Quay Brothers: The Collected Animated Films 1979–2013. In previous posts about the Quay Brothers’ films I’ve expressed a hope that we might see a new collection from the BFI that gathers together more of their recent works.
