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- More than anyone else, Eliot was responsible for making the novel, a genre which had traditionally been read primarily for entertainment, into a vehicle for the serious expression of ideas. Few novelists can equal Eliot’s depth of intellect or breadth of learning.
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Nov 19, 2019 · On the 200th anniversary of George Eliot’s birth, Hephzibah Anderson explores how the author was as revolutionary in life as in her novel writing. A woman sits engrossed in her reading, long...
- Why Middlemarch is the greatest British novel - BBC
George Eliot’s sprawling tale of provincial life has...
- Why Middlemarch is the greatest British novel - BBC
Dec 7, 2015 · George Eliot’s sprawling tale of provincial life has triumphed in BBC Culture’s poll of the greatest British novels as voted by the rest of the world. Michael Gorra explains why.
Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" [4] and by Martin Amis [5] and Julian Barnes [6] as the greatest novel in the English language.
- Overview
- Early years
- Life with George Henry Lewes
George Eliot was an English Victorian novelist known for the psychological depth of her characters and her descriptions of English rural life. Her major works included Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876).
How did George Eliot become famous?
In 1851 Mary Ann Evans moved to London hoping to become a freelance writer. She worked as a subeditor at The Westminster Review, wrote essays, and translated German. In 1858 she published her first novel under the pen name George Eliot. Her first long novel, Adam Bede (1859), went through eight printings in a year.
When did George Eliot get married?
George Eliot lived with George Henry Lewes, a journalist who encouraged her career, from 1851 until his death in 1878. They were unable to get married because English law at the time prevented Lewes from getting a divorce. In 1880, several months before her death, she married a banker named John Walter Cross.
George Eliot (born November 22, 1819, Chilvers Coton, Warwickshire, England—died December 22, 1880, London) English Victorian novelist who developed the method of psychological analysis characteristic of modern fiction. Her major works include Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876).
Evans was born on an estate of her father’s employer. She went as a boarder to Mrs. Wallington’s School at Nuneaton (1828–32), where she came under the influence of Maria Lewis, the principal governess, who inculcated a strong evangelical piety in the young girl. At her last school (1832–35), conducted by the daughters of the Baptist minister at Coventry, her religious ardour increased. She dressed severely and engaged earnestly in good works. The school gave her a reading knowledge of French and Italian, and, after her mother’s death had compelled her to return home to keep house for her father, he let her have lessons in Latin and German. In 1841 she moved with her father to Coventry.
There she became acquainted with a prosperous ribbon manufacturer, Charles Bray, a self-taught freethinker who campaigned for radical causes. His brother-in-law, Charles Hennell, was the author of An Inquiry Concerning the Origin of Christianity (1838), a book that precipitated Evans’s break with orthodoxy that had been long in preparation. Various books on the relation between the Bible and science had instilled in her keen mind the very doubts they were written to dispel. In 1842 she told her father that she could no longer go to church. The ensuing storm raged for several months before they reached a compromise, leaving her free to think what she pleased so long as she appeared respectably at church, and she lived with him until his death in 1849.
The Brays and the Hennells quickly drew her from extreme provincialism, introducing her to many ideas in violent disagreement with her Tory father’s religious and political views. When Charles Hennell married in 1843, she took over from his wife the translating of D.F. Strauss’s Das Leben Jesu kritisch bearbeitet, which was published anonymously as The Life of Jesus Critically Examined, 3 vol. (1846), and had a profound influence on English rationalism. After the wedding Mrs. Hennell’s father, R.H. Brabant, invited Evans to visit at Devizes. A rather silly man, he had worked for years on a book (never completed), which was to dispose of the supernatural elements in religion. They read German and Greek together and discussed theology on long walks; soon Mrs. Brabant became jealous of their intimacy, and, before the term of her visit, Evans was forced to leave. Mrs. Hennell felt that her father had acted ungenerously. Out of the humiliation of this episode George Eliot drew the horrible vividness of Mr. Casaubon in Middlemarch.
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She spent the winter of 1849–50 at Geneva, reading extensively while living with the family of François D’Albert Durade, who painted a portrait of her. Like those by Mrs. Bray (1842) and Sir Frederic Burton (1865), all in the National Portrait Gallery, it shows her with light brown hair, gray-blue eyes, and a very fair complexion. Returning to Coventry, she spent the rest of 1850 with the Brays, pondering how to live on the £100 a year left by her father. After John Chapman, the publisher of The Life of Jesus Critically Examined, got her a chance to review R.W. Mackay’s The Progress of the Intellect in The Westminster Review (January 1851), she decided to settle in London as a freelance writer, and in January 1851 she went to board with the Chapmans at 142, Strand.
Soon after her arrival in London, Mrs. Chapman and the children’s governess, who was also John Chapman’s mistress, became jealous of Marian, as she now signed her name, and after 10 weeks she returned to Coventry in tears. Doubtless her feelings were strongly attracted to the magnetic Chapman, whose diary supplies this information, but there is no evidence that she was ever his mistress. A few months later he bought The Westminster Review, and Evans, contrite at the domestic complications she had unwittingly caused, returned to London. For three years, until 1854, she served as subeditor of The Westminster, which under her influence enjoyed its most brilliant run since the days of John Stuart Mill. At the Chapmans’ evening parties she met many notable literary figures in an atmosphere of political and religious radicalism. Across the Strand lived the subeditor of The Economist, Herbert Spencer, whose Social Statics (1851) Chapman had just published. Evans shared many of Spencer’s interests and saw so much of him that it was soon rumoured that they were engaged. Though he did not become her husband, he introduced her to the two men who did.
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George Henry Lewes was the most versatile of Victorian journalists. In 1841 he had married Agnes Jervis, by whom he had four sons. In 1850 Lewes and a friend, the journalist Thornton Leigh Hunt, founded a radical weekly called The Leader, for which he wrote the literary and theatrical sections. In April 1850, two weeks after the first number appeared, Agnes Lewes gave birth to a son whose father was Thornton Hunt. Lewes, being a man of liberal views, had the child registered as Edmund Lewes and remained on friendly terms with his wife and Hunt. But after she bore Hunt a second child in October 1851, Lewes ceased to regard her as his wife, though, having condoned the adultery, he was precluded from suing for divorce. At this moment of dejection, his home hopelessly broken, he met Marian Evans. They consulted about articles and went to plays and operas that Lewes reviewed for The Leader. Convinced that his break with Agnes was irrevocable, Evans determined to live openly with Lewes, as his wife. In July 1854, after the publication of her translation of Ludwig Feuerbach’s Essence of Christianity, they went to Germany together. In all but the legal form it was a marriage, and it continued happily until Lewes’s death in 1878. “Women who are content with light and easily broken ties,” she told Mrs. Bray, “do not act as I have done. They obtain what they desire and are still invited to dinner.”
May 28, 2019 · More than anyone else, Eliot was responsible for making the novel, a genre which had traditionally been read primarily for entertainment, into a vehicle for the serious expression of ideas. Few novelists can equal Eliot’s depth of intellect or breadth of learning.
In Adam Bede, George Eliot wrote: ‘No story is the same to us after a lapse of time; or rather we who read it are no longer the same interpreters.’ Two hundred years after her birth, a panel of writers discuss Eliot’s literary legacy and her continued influence on contemporary writers, asking: what’s so great about George Eliot?
Oct 13, 2021 · In the 150 years since George Eliot’s great humanist novel was published, readers have been professing that it has made them more sympathetic, less judgemental, more enlarged as a person. It is, as Virginia Woolf famously (and gratifyingly) claimed, “one of the few English novels written for grown-up people”.
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