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Published March 2015. We check out Latvian mic company Violet’s affordable new capacitor models. Violet Design’s microphones usually cost more then these two new offerings, but despite this, both the Maestro and Atomic are still built in Latvia, rather than the Far East, and the capsules are still made in the same way as Violet’s other ...
The Atomic microphone combines a single-membrane VD21 capsule and a discrete Class-A preamplifier with transformerless output, and benefits from Violet Design’s unique design and assembly process. The large-sized head creates a free floating environment for the capsule which is beneficial in creating a natural and uncompressed signal. The ...
This is a low-cost microphone that can compete against microphones in a much higher price bracket. The Atomic microphone combines a single-membrane VD21 capsule and a discrete Class-A preamplifier with transformerless output, and benefits from Violet Design’s unique design and assembly process. Reference: The Atomic. 299 €.
- 21 mm
- cardioid
- 20 Hz to 20 kHz
- True electrostatic
Apr 24, 2016 · The Atomic is a neat, simple and robust large diaphragm condenser microphone that proves lighter than it appears. This is partly due to the transformer-less head amp design, which is class-A discrete, ie does not use IC op-amps. Coupling class-A amplification with a transformer-less output is beneficial for minimising distortion and phase shift ...
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The Shure SM57
There isn’t a tiny closet DIY studio, basement-den-or-laundromat-turned-venue, or local one-table coffee shop anywhere in the Western world that doesn’t have at least one Shure SM57 as a part of its mic closet (or as its entire collection). This dynamic mic sets the standard for all sounds transient and can handle just about any sound source put in front of it. Its most common and trusty uses include: Guitar Cab Opinions vary widely (as they do for many microphone choices), but you can almost...
Here, in my recent survey of all my studio-head friends, I found a split about what can be expected at any studio you might walk into. The two most common responses were:
The Sennheiser MD421
The 421 is another ubiquitous studio choice prized for its clarity and full-range spectrum that beautifully captures lows and low-mids. It’s a highly directional cardioid-pattern, dynamic microphone, so it’s no surprise that it’s an extremely common selection for toms, especially the floor tom(s). It’s also great as a broadcast mic for the same reason, or for getting all your buddies in a room together and just shouting some gang vocals at it.
Neumann KM184
Let’s talk about Neumann for a second, because these microphones populate several selections off this list and are so integral to the history of microphone technology that they deserve a moment. Georg Neumann’ssuccesses in pioneering microphone and electrical technology range from inventing the world’s first mass-produced condenser microphone in the 1920s, to creating the world’s most prized vocal microphone, possibly to this day — the constantly imitated, never quite duplicated U47. Througho...
The Shure SM58
As mentioned earlier, the Shure SM58 carries the same guts as the SM57, just housed in such a way to reduce proximity effect and onstage feedback and really to be completely destroyed and still function perfectly. You’ll more than likely find one or many of these in any given studio.
The Shure SM7B
The SM7B is coveted for its robust, yet glistening, vocal performance capture, especially regarding the spoken word. Its flat front-address, built-in pop filter, and internal isolation mechanisms provide an extremely clear signal with a strong, rich timbre. Because it’s fairly uncolored and “flat” in its response, it’s not everyone’s favorite. But if you like what you’re hearing acoustically in the room, you’ll probably like what you record with the SM7B.
The Electrovoice RE20
This is the classic radio-voice mic, best known for its extremely low proximity effect due to its open design. This is another great mic for deep tones — low voices, toms, bass cabs, kicks, and the like. But don’t stop there! Definitely see if it works for your vocalist in any vocal mic shootout.
The rest of our most common mic selections are microphones you can expect to find in many mid- or high-level professional studios but might not encounter in your average home studio or smaller pro-project studio. These are the cream of the crop and have been for decades in some cases, and so the pros continue to turn to them all these years later.
Apr 10, 2014 · The Atomic microphone combines a single-membrane VD21 capsule and a discrete Class-A preamplifier with transformerless output, and benefits from Violet Design’s unique design and assembly process. The large-sized head creates a free floating environment for the capsule which is beneficial in creating a natural and uncompressed signal.
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Jan 5, 2022 · 5. Shure SM7B. The Shure SM7B is one of my favorite microphones of all time, and while it's not suited for everyone, it can make an incredible studio microphone. Right off the bat, I'm going to say this microphone is best suited for vocals, especially rap, pop, and rock vocals.
