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  1. The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!

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  1. This study aims to dissect how whitewashing and blackwashing differ, as well as discuss how blackwashing succumbs to the racist history of the Hollywood film industry despite its attempt at leading a brighter future for Black representation in film. Whitewashing will be viewed as direct racism, or the act of treating people differently in

  2. Jun 2, 2023 · David C. Oh's Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture (2021) is an imaginative, paradigmatic examination of big-budget films from 2008–2018.

  3. Dec 2, 2022 · White-washing the movies: Asian erasure and White subjectivity in U.S. film culture. David C. Oh, New Brunswick, Rutgers University Press, 2022, 210pp, $29.95 (Paperback), ISBN 978-1978808621. Harpreet Mangat Berkeley Interdisciplinary Migration Initiative, University of California, Berkeley, CA, USA. Pages 621-623 | Published online: 02 Dec 2022.

  4. Apr 1, 2019 · At the same time, Hollywood incorporates foreign-born directors and actors to reach international audiences. This article assesses how Hollywood’s “going global” impacts local racial–ethnic minority politics in the U.S. film business.

    • Minjeong Kim, Rachelle J. Brunn-Bevel
    • 2020
  5. Sep 5, 2017 · The problem of whitewashing is frequently linked to the lack of diversity and institutional racism of a Hollywood film industry that is disproportionately white and male and in which people...

  6. Film roles such as Richard Barthelmess's portrayal of Cheng Huan in D. W. Griffith's Broken Blossoms (1919) and Mickey Rooney's caricatured depiction of I. Y. Yunioshi in Breakfast at Tiffany's (1961) are some of US cinema's most cited examples of the whitewashing of Asian roles.

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  8. Mar 1, 2022 · What if the film is an adaptation of anime that is presumably “raceless” or “culturally odorless,” as discussed in chapter 6? How does genre, specifically satire, complicate perceptions of whitewashing, as in The Interview (Seth Rogan and Evan Goldberg, 2014), analyzed in chapter 4?