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Dec 21, 2020 · The essay’s three sections – Context, Themes and Legacy – offer a structured outline of critical work on The Sheik and sheikh romance. In Context, the authors summarise historical influences on The Sheik, E. M. Hull’s biography, the novel’s release and reception, and the film adaptation.
- Amy Burge
- 2020
Dec 21, 2020 · At first glance, the film is exuberantly offensive on a number of levels: the abuse suffered by Diana resulting in her adoration of Ahmed; the overt rigidity of hyper-patriarchal gender roles; the stereotypical depiction of the ‘East’ and last-minute ‘redemption’ of Ahmed who is revealed to be European.
- Elisabetta Girelli
- 2020
Feb 7, 2013 · We started with an introduction to the film and its significance for the group’s interest in melodrama research. The Sheik (George Melford, 1921) is clearly very different from the thrilling ‘suspense melodrama’ The Narrow Margin (Richard Fleischer, 1952) which we screened a fortnight ago.
Dec 21, 2020 · Starting with contemporary contexts, the popular and critical reception of The Sheik is introduced, along with its literary antecedents and film adaptation. The essay then outlines scholarly work in three key areas: gender, race and the postcolonial, and the text’s relationship to modernism.
- Amy Burge
- 2020
Special issue on E. M. Hull's The Sheik Burge, A. (ed.), 10 Sep 2020, (Accepted/In press) In: Journal of Popular Romance Studies. 9. Research output: Contribution to journal › Special issue › peer-review
Introduction to the special issue on The Sheik Burge, A. , 21 Dec 2020 , In: Journal of Popular Romance Studies. 9 Research output : Contribution to journal › Editorial
Plot summary. The novel opens in a hotel in the Algerian city of Biskra. A dance is being held, hosted by a young woman named Diana Mayo and her brother, Sir Aubrey Mayo. It transpires that Diana is planning to leave on a month-long trip into the desert, taking no one with her but an Arab guide.
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