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- Foreground refers to the part of the scene that is closest to the viewer, often used to draw attention to important elements or characters, while background refers to the parts of the scene that are further away, providing context and setting for the action.
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- Angles. Camera angles refer to the tilt of the camera in relation to the scene and the characters. Unusual camera angles can emphasise an action sequence, disorientate the audience, and suggest the relationship between characters.
- Bridging Shot. A shot that marks the passage of time in a film. This is sometimes a series of newspaper headlines, a calendar, tress going through seasonal changes, or the hands turning on a clock.
- Colour. Colour, especially the choice of colour palette or scheme, can reflect the mood of the piece. Colour in a scene can also be enhanced through lighting.
- Cucoloris. Cucoloris is a lighting technique where an object is placed between the light source and the subject in order to create a patterned shadow.
The vertical lines, meanwhile, break the composition into fields of depth, with Kane in the foreground, Bernstein in the background, and Leland in middle-ground.
- The Foreground
- The Middleground
- The Background
- Working with Multi-Layered Compositions
- Using Focus and Depth of Field
- Understanding Deep Focus
As you might expect, of the three layers, the foreground is closest to the audience’s eye. Using an example from userwowzabob‘s imgur post where he breaks down compositions in Francis Ford Coppola’sApocalypse Now, we see the foreground layer outlined in red. Focus notwithstanding (more on that below), the red area is the foremost planein the compos...
The middleground is the space within a composition between the foreground and the background. In the shot composition above, it is the yellow-outlined space, which you can see juxtaposed against the red foreground (the obstructive bars) and the out-of-focus background.
The background is the space further away, behind both the foreground and middleground. You can see it illustrated above: the flag (outlined in red) is in the foreground, and the ship (outlined in yellow) is in the middleground; the land, helicopters, and sky (outlined in green and blue) are in the background.
Now let’s look at an image without the outlines. In wowzabob‘s imgur post, we also see a shot composition from Martin Scorsese’s Taxi Driver. Can you spot the three layers in the composition?In the foreground we have the out-of-focus steering wheel, in the middleground we have Robert DeNiro’s character, and in the background we have the extremely o...
Image via Wikipedia. Without getting too deep into the technical aspects of focus and depth of field or range, it’s important to understand how you can use focus to emphasize different layers. In the image above, you can see the three distinctive layers. However, only one of the three is in focus. The foreground (where the cat’s paw is) is slightly...
Sohow do you make a composition where all three layers are equally in-focus? This technique is often called deep focus, or, more plainly, a very large depth of field. There are many ways to achieve deep focus in photography and video (which you can read about here). Perhaps the best example is the iconic deep focus shots in Orson Welles’s Citizen K...
Foreground and background refer to the spatial relationship within a frame in film and television, where the foreground is the part of the scene that appears closest to the viewer, while the background is the area behind the main subjects.
Aug 18, 2023 · Camera shots refer to a specific camera angle and distance used in a particular amount of time. In video production, camera shots are planned ahead of time. The type of camera shots that should be used should be written into the script as much as possible. Film editors are usually responsible for these decisions.
Aug 22, 2019 · A shot that incorporates foreground action with a background, traditionally painted onto glass, now created in a computer. Think the Raiders warehouse or the Ewok village...
