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      • Dating from 1871, when John Ruskin first opened his School of Drawing, the Ruskin School of Art has enjoyed a variety of guises, and an ever-growing reputation. As Oxford’s first Slade Professor, Ruskin intended to develop a course for the University leading to a degree in art.
      www.humanities.ox.ac.uk/ruskin-school-art
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  2. Dating from 1871, when Victorian art critic and writer John Ruskin first opened his School of Drawing, the School has enjoyed a variety of guises. As Oxford’s first Slade Professor, Ruskin intended to develop a course for the University leading to a degree in art.

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      The Ruskin is uniquely positioned as an intimately-scaled...

  3. History. The Ruskin School of Art grew out the Oxford School of Art, which was founded in 1865 and later became Oxford Brookes University. [2] . It was headed by Alexander Macdonald and housed in the University Galleries (subsequently the Ashmolean Museum of Art and Archaeology). [3]

  4. Ruskin School of Art. Dating from 1871, when John Ruskin first opened his School of Drawing, the Ruskin School of Art has enjoyed a variety of guises, and an ever-growing reputation. As Oxford’s first Slade Professor, Ruskin intended to develop a course for the University leading to a degree in art.

    • Childhood and Early Life
    • Mature Period
    • Modern Painters
    • The Stones of Venice
    • Unto This Last
    • The Marriage to Effie
    • Late Years and Death
    • The Legacy of John Ruskin

    An only child, Ruskin was born in 1819 in south London to affluent parents, John James Ruskin, a Scottish wine merchant, and Margaret Ruskin, the daughter of a pub proprietor. The young Ruskin spent his summers in the Scottish countryside and when he was four, the family moved to south London's Herne Hill, a rural area at the time. It was these ear...

    It is often forgotten that Ruskin was a talented artist in his own right, and he said the instinct he had to draw was akin to the instinct to eat and drink. He filled sketchbooks from an early age, and throughout his life produced volumes of exquisite sketches and watercolors of nature; blossoms, flowers, mountains, stones, clouds, minerals, and bi...

    When Ruskin was 24, he wrote the first volume of Modern Painters - Their Superiority in the Art of Landscape Painting to All the Ancient Masters, a hugely influential work that launched an assault on the artistic establishment. The book criticized the work of 17th century painters such as Claude Lorrain, Nicolas Poussin, and Salvator Rosa. As an al...

    Ruskin was particularly enamored with the architecture of Venice and was vehemently opposed to restoration, so much so that he would climb scaffolding in the Italian city to argue with stonemasons. His convictions were immortalized in The Stones of Venice, a three-volume treatise on Venetian art and architecture, in which he expanded the ideas he h...

    This work, although a move away from art criticism, was considered by many to be Ruskin's best. Unto This Lasttook on the thorny issue of capitalist economics, and formed an indictment of the dehumanization caused by the industrial revolution. Passionately written, the work was received with shock as he made a personal plea to his readers to help b...

    In 1848 Ruskin married the beautiful Euphemia Gray (known as Effie), a family friend who was ten years his junior. It was a disaster as Ruskin failed to accommodate the young woman's interests or overcome the dominant presence of his own mother. One of the best-known stories about the marriage is that it was never consummated. Legend has it that Ru...

    In 1869 Ruskin was made Slade Professor of Fine Art at Oxford. This was not Ruskin's first teaching role, he had been involved in education in a range of capacities from the 1850s and was a very popular lecturer. In 1871 he set up his own art school, The Ruskin School of Drawing and Fine Art which sought to challenge formal methods and rigid, mecha...

    Ruskin's writing was responsible for shaping and promoting the Pre-Raphaelite Brotherhood and the Arts and Crafts Movement. His style of art criticism was groundbreaking and hugely influential to subsequent generations. As novelist Michael Bracewell writes: "Ruskin's passionate championing of particular artists paved the way for such great later cr...

    • British
    • February 8, 1819
    • Brunswick Square, London
    • January 20, 1900
  5. History. The Ruskin School of Art grew out the Oxford School of Art, which was founded in 1865 and later became Oxford Brookes University. It was headed by Alexander Macdonald and housed in the University Galleries (subsequently the Ashmolean Museum of Art and Archaeology).

  6. The Ruskin is uniquely positioned as an intimately-scaled art school (about 130 students) embedded within a research-intensive university. Its dynamic, inter-disciplinary structure allows artists and theorists to work closely together and to respond quickly and flexibly to developments within the…

  7. John Ruskin (pictured right) was the first Slade Professor of Fine Art in Oxford, and gave the first series of eight public lectures in 1870. In his inaugural lecture, he announced that he was setting up the Ruskin School of Drawing, which is now the Ruskin School of Art.

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