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  1. Summary. Analysis. Miss Adela Strangeworth takes a trip into town to run some errands. She is in good spirits as she breathes in the fresh summer air and reflects on the beauty of the town that she has lived in her entire life. At age 71, she feels a sense of pride and ownership over the town.

  2. The possibility of evil, Jackson implies, could happen anywhere. Cite this page as follows: O'Brien, Jill. "The Possibility of Evil - Introduction." eNotes ...

  3. Like “The Possibility of Evil,” “The Lottery” is interested in critiquing a certain class of mid-century Americans who project a pristine image while concealing the darkness within themselves. Meanwhile, “Things Get Dark” is another story by Jackson where letter-writing plays a key role and evil sits just beneath the surface.

  4. “The Possibility of Evil” is a study of an individual who is at once deeply involved in her community and remarkably isolated from it. Miss Strangeworth is familiar with everyone in town: she knows where the strawberries come from at the grocery store, she is part of the bridge club, she donates to the local library, and she knows everyone’s secrets—or at least she thinks she does.

  5. Get unlimited access to SuperSummary. for only $0.70/week. Thanks for exploring this SuperSummary Study Guide of “The Possibility of Evil” by Shirley Jackson. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

  6. Don and Helen Crane were really the two most infatuated young parents she had every known, she thought indulgently, looking at the delicately embroidered baby cap and the lace-edged carriage cover. “That little girl is going to grow up expecting luxury all her life,” she said to Helen Crane. Helen laughed.

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  8. The main themes in “The Possibility of Evil” are appearances versus reality, isolation and privilege, and the ubiquity of evil. Appearances versus reality: The story explores the tensions ...

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