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Nov 23, 2022 · Some long poems have plots, others gleefully disregard them. In 19th-century Europe and North America, the novel overtook the long poem as the most popular and highly regarded long literary form (hence Poe’s disdain).
Michael Gluzman. What is the function of length in contemporary poetry and how can readers habituated to the short lyric poem tradition read—indeed, “interpret”—long sequences that seem recalcitrant to analysis? This essay tackles these questions by exploring Aharon Shabtai’s long-poem poetics.
Aug 10, 2010 · In Jarrell's poem, the speaker walks behind a beautiful blond-haired woman. He describes the woman and then thinks about Konrad Lorenz, Richard Strauss, Marcel Proust, Greta Garbo, his early morning walk, the difference between birds and human beings, the nature of human relationships.
Presumably the relevant theory of the long poem is that one part supports the other parts by enlarging the context, establishing a magnetic field of reference and implication. The short poem has no context, unless it comes upon a reader of inveterate goodwill, ready with forbearance.
With its vision of a divinely guided westward migration into a new land to found a new state, climaxing in a union between the indigenous inhabitants and the new arrivals, the Aeneid, a staple of American education until well into the twentieth century, would haunt the imagination of virtually every American aspirant to the mantle of epic bard.
A long poem often functions to tell a "tale of the tribe," or a story that encompasses a whole culture's values and history. Ezra Pound coined the phrase, referring to his own long poem The Cantos. The long poem's length and scope can contain concerns of a magnitude that a shorter poem cannot address.
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Kroeber distinguishes between the ‘adventurous narrative’ most successfully devised and exe-cuted by Scott (historical) and Byron (oriental) and the more personal, visionary poetic narratives of Wordsworth, Keats and Shelley.