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  1. The Paper Brigade was the name given to a group of residents of the Vilna Ghetto who hid a large cache of Jewish cultural items from YIVO (the Yiddish Scientific Institute), saving them from destruction or theft by Nazi Germany.

    • History of Printmaking Paper
    • What Is Printmaking Paper?
    • Composition
    • Relief Printing
    • Intaglio Printing
    • Silkscreen and Lithography
    • Considerations When Choosing A Printmaking Paper
    • Preparing Your Paper

    Block printing was practiced in China 1400 years ago using paper, a multifunctional product manufactured into hats, clothes, stiffened for armour, and thinned for windows, screens, books, maps and money. The relative economy of paper compared to vellum meant that libraries of the Islamic world were vast. Islamic calligraphers wrote with bamboo quil...

    In theory you can print on any type of paper so long as ink will adhere to it. The paper that you choose will become integral to your work and if you experiment by printing the same plate on a selection of papers you will see how each makes a unique contribution to the finished result. Not only will the image vary but the overall feel of the print ...

    Generally speaking papers recommended for printmaking benefit from being strong and dimensionally stable, meaning they hold their size and shape well. The paper you select is likely to undergo ample handling and treatment. It might be picked up by the corners, left to soak in a water bath, squeezed through an etching press, vigorously rubbed with a...

    Relief printing includes linocut, woodcut, wood engraving, letterpress and collagraph. The print is taken from the ink on the block’s surface with the cut-away areas remaining unprinted. Printing can be done by hand or by press and you will want to consider the paper surface and how it makes contact with the ink, so a smoother surfaced paper, such ...

    Intaglio printmaking incorporates etching, engraving, drypoint, mezzotint and some forms of collagraph. Marks made in the plate hold the ink below its surface and when dampened paper is pressed down into the marks, the ink is transferred to the paper under the pressure of the press. The ink will penetrate the paper and an internal size that softens...

    Flat printing techniques where the ink and paper are on the same level are referred to as planographic and include lithography, silkscreen and monoprinting. Again many papers are suitable with a smoother surface working better for these techniques. In lithography strong papers with a high cotton content will help avoid picking, where a tacky ink ca...

    Fibres

    100% cotton rag or ‘rag’ paper is how manufacturers describe paper made from cotton linter fibres. They are strong papers that retain their shape during printing, so are dimensionally stable, which is helpful when registering multiple plates for colour printing. Genuine rag papers, those made from the spun fibres of discarded garments, are rare and occasionally used for watercolour papers such as Jackson’s Two Rivers and Khadi 100% Rag. Papers made from a combination of cotton and wood cellul...

    Surface

    Surface texture can affect ink pick up as well as how your colour looks. A textured paper can work very well for deeply etched intaglio prints and a smoother paper can work better for lithography or silkscreen. How colour reflects from the surface of the paper will affect how bright it will appear. A more textured paper will bounce back the colour in a more diffused manner and look less bright than a smooth paper.

    Sizing

    Internally sized printmaking papers will be soft with a porous surface to take up the ink. Most size used today is synthetic as opposed to animal gelatine. Unsized waterleaf papers will be occasionally referred to as ‘copperplate’, will only require a sponge over or spray of water to dampen. These are better suited to oil based inks. You can tell if a paper has more or less size by touching it with the tip of your tongue. If your tongue sticks it is likely to have little or no size.

    When it comes to preparing your paper for printing you will want to consider the margins around the image and what form of registration you are using. Traditionally the margins will be of equal width on both sides and above the image, with a slightly wider margin at the bottom. This gives the effect of the image being placed centrally on the paper,...

    • Lisa Takahashi
  2. 1858 – Gordon Jobber. Based on an earlier design by Stephen P. Ruggles, George Phineas Gordon produces the Franklin press, which is also known as the Gordon Jobber. The press uses a foot pedal to press the surface holding the paper against the flat inked printing plate.

  3. Allied Printing Trades Association (formed in 1911) admits five unions: United Papermakers and Paperworkers, the Newspaper Guild, the International Brotherhood of Pulp, Sulphite and Paper Mill Workers, and the Plate Printers, Die Stampers and Engravers.

  4. Mar 13, 2017 · The movable type press was originally developed in China. Even as Gutenberg was inventing in Germany, Koreans were ditching their entire method of writing to make printing easier, cutting...

  5. Timeline - Frogmore Paper Mill. The timeline below focuses upon the key events of The Gade Valley. It lists the mills, the inventions and technical advances, the development of transport infrastructure and creation of schools, churches and houses still seen today. EARLY WRITING SURFACES. BIRTH OF PAPER and the journey west.

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  7. This gallery features documents and artifacts related to the complicated history of the settlement of the land that is now the state of Texas. Printing and printed documents represent practical tools of a government’s authority to create laws, issue currency, and enforce titles of land ownership.

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