The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!
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Apr 15, 2024 · Film scores contain some of the most relaxing music ever written. From Hans Zimmer to Justin Hurwitz, here are 15 of the most calm-inducing movie soundtracks of all time.
Mar 12, 2020 · From Da 5 Bloods to Bill & Ted Face The Music, via Jojo Rabbit and Mulan, Empire picks the greatest movie music moments of 2020.
- 'Da 5 Bloods' – Terence Blanchard
- 'Sylvie’S Love' – Fabrice Lecomte
- 'Wonder Woman 1984' – Hans Zimmer
- 'Ma Rainey’s Black Bottom' – Branford Marsalis
- 'The Invisible Man' – Benjamin Wallfisch
- 'Mank' – Trent Reznor and Atticus Ross
- 'News of The World' – James Newton Howard
- 'Minari' – Emile Mosseri
- 'Tenet' – Ludwig Goransson
If one word best summed up Spike Lee’s Netflix movie Da 5 Bloods it’d probably be “confrontational.” Right from the beginning, this film refuses to let the audience off the hook, forcing them to witness the horrors of the Vietnam War before experiencing a story of regret, trauma, and grief as told through the eyes of Vietnam vets in present day. Co...
A warm, immersive, sweeping work of classic Hollywood film composition, Fabrice Lecomte’s wondrous score to Sylvie’s Love reminds us of the sheer power evident in simple but grand orchestral arrangements. Sylvie’s Love, in its aesthetic constructions and narrative explorations, is a stirring tribute to classically romantic cinema (not just in refer...
I’m not sure there’s a cooler piece of contemporary film scoring than the 7/8 main theme of Wonder Woman. And when Hans Zimmer finally gives us this guitar-forward theme we’ve been aching for in Wonder Woman 1984, it makes that moment pop with ferocity. But Zimmer’s score ain’t just a waiting game for this recognizable theme — partially because he ...
Branford Marsalis, he of that phenomenally, prolifically talented Marsalis jazz family, gives Ma Rainey’s Black Bottom a powerful, authentic, and surprising score steeped in the traditions of blues, jazz, and popular music of the era while also wanting to push the surprisingly fast-moving film forward. Marsalis’ understanding of arrangement, of ton...
I’ve talked at length about how masterful the camerawork of The Invisible Man is. Now, if you’ll indulge me, a bit of praise for its score. Benjamin Wallfisch’s work is terrifying. It’s uneasy, queasy, both unrelentingly experimental and in constant dialogue with classic suspense scores of cinema past; playing something like Aphex Twin remixing Ber...
Trent Reznor and Atticus Ross have become David Fincher’s go-to film composers, but never have they written anything remotely like their score for Mank. The film – which chronicles the writing process of Citizen Kane – is crafted to look like it was made in the 1930s, and to suit Fincher’s aesthetic the score also had to sound like something writte...
James Newton Howard has been working in Hollywood churning out great and dynamic film scores for nearly four decades now, but he may have just written one of his best scores ever with News of the World. For Paul Greengrass’ epic, John Ford-inspired Western, Howard crafts a straight Western score – and it’s phenomenal. Tom Hanksplays a Civil War vet...
Composer Emile Mosseri made waves with his score for The Last Man in San Francisco, and he’s back with something even before for Lee Isaac Chung’s A24 drama Minari. The autobiographical film tells the story of a Korean-American family that leaves California for Arkansas in search of fulfilling the American Dream, only to encounter hardship after ha...
There was much handwringing when it was announced that regular Christopher Nolan collaborator Hans Zimmer wouldn’t be returning for the filmmaker’s typically twisty time travel thriller Tenet. (Zimmer was busy working on next year’s Dune.) Instead of Zimmer, Nolan would be working with Ludwig Göransson, a young composer who has been killing it with...
Dec 17, 2020 · At times, 2020 seemed like it had made time for every obscure musical subgenre under the sun: dancehall (“ Lover’s Rock ”), noise-metal (“ Sound of Metal ”), reggaeton (“ Ema ”), and Baltimore hip-hop (“ Charm City Kings ”).
- Requiem for a Dream – Clint Mansell (2000) The John Williams to Darren Aronofsky’s Steven Spielberg, British composer Mansell reflects the doomed stories of the psychological drama with this haunting minimalist score.
- Gladiator – Hans Zimmer (2000) From its Wagnerian anthems of war to Lisa Gerrard’s meditative vocal lines, Hans Zimmer and Gerrard’s stunning soundtrack was instrumental to the success of Ridley Scott’s historical epic – towering colosseums, armour-clad gladiators and all.
- Harry Potter – John Williams, Patrick Doyle, Nicholas Hooper, Alexandre Desplat (2001-2011) Four composers worked their magic when composing for the wondrous world of Harry Potter.
- Lord of the Rings – Howard Shore (2001-2003) As our eye keenly followed one hobbit across three movies and an array of vast New Zealand landscapes, as he sought to destroy the One Ring, Howard Shore matched every moment of the journey with sweeping, epic and heart-wrenching music.
Apr 29, 2021 · Film scores, like soundtracks, elevate the scene and transport audiences back to the movie’s milieu—evident in iconic scores like John Williams’ work on Harry Potter, Star Wars, and Jurassic Park, and more. This time, we’ve rounded up 8 calming film scores to soothe your mind and help you wind down after a long day at work.
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Dec 29, 2020 · From seasoned composers to accomplished musicians, as well as a smattering of soundtracks, each musical example perfectly transported us to the world of the film. Check out our rundown of the top 20, which includes streams to each soundtrack in full where available.
