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6. 'The Helicopter Tune' – Deep Blue. The rhythm of rotating helicopter blades provides the foundation for a chunky bassline, funk drums (from Blowfly’s filthy ‘Sesame Street’, sample spotters), birdsong and a melody oozing suspense, to unfold.
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- Maximum Style' – Tom & Jerry. Coming straight out of Dollis Hill in 1994, 4-Hero had already made their mark on the scene with their Reinforced label and 'Parallel Universe' album both engineering sounds at the most innovative end of the scene.
- 'Arsonist' – Urban Shakedown featuring Debo General. 'Arsonist' is a typical example of the over-the-top, elastic basslines that Aphrodite (one-half of Urban Shakedown) is famous for.
- 'Meditation’ – DJ Crystl. For jungle connoisseurs, DJ Crystl is the equivalent of one of art's Old Masters at work and, like many of art’s biggest talents, he’s not received the widespread recognition his undeniable talent deserves. '
- 'Valley of the Shadows' – Origin Unknown. Futuristic as you like, this Andy C and Ant Miles production from 1993 took jungle from its grittier roots and into a brave (and spacey) new world – complete with Neil Armstrong samples and a chiming arpeggio to die for.
- METALHEADS. ‘TERMINATOR’ (SYTHETIC, 1992) An early jungle classic, courtesy of one of the aliases of former graffiti artist turned sonic conceptualist Goldie and longtime collaborator Rob Playford.
- BABYLON TIMEWARPF. ‘DURBAN POISION’ (SUBLIME RECORS, 1992) Named after a type of ganja, this track by the gloriously named Babylon Timewarp seems to follow a drug trade route into a UK housing estate.
- TANGO AND RATTY. ‘TALES FROM THE DARKSIDE’ (NO LABEL, 1992) Translating rave frenzy into jungle dread, ‘Tales From The Darkside’ runs at a cartoon-hectic pace, with its stabbing riff sounding like pitched-up electro, Mantronix’s ‘Bassline’ running at +8.
- BAY-B-KANE. ‘HELLO DARKNESS’ (RUFF GUIDANCE, 1992) This one is all about the vocal sample: an inspired hijacking of the first two words from Simon and Garfunkel’s ‘Sound of Silence’, pitched up and looped.
- The Winstons - Amen, Brother. It should come as no surprise to anyone familiar with the genre that we've given the The Winstons' 'Amen, Brother' the number one spot on our list.
- Lyn Collins - Think (About It) Think's history as a sample source predictably begins with hip hop, seminal producers of the late 80s such as 45 King, Marley Marl and many others having heavily utilized the break long before hardcore or jungle took hold.
- Bobby Byrd - Hot Pants (Bonus Beats) Occasionally mistaken for 'Think' (see #2 below), the Hot Pants break (also produced by James Brown) shares a very similar prominent tambourine line.
- Incredible Bongo Band - Apache. Best known as the B-Boy anthem that defined the sound of hip hop's DJ architects, including the likes of Grandmaster Flash and Kool Herc, the Incredible Bongo Band's 'Apache' has also yielded significant influence on the development of drum & bass.
Mar 19, 2019 · DJ Zinc – ‘Super Sharp Shooter’. “Bassline to die for, definite banger. One of the most influential tunes that really helped stamp the jungle scene on UK urban culture.”. 7. Ray Keith – ‘Chopper’. “Bad bwoy tune, when this tune play the bad man start skanking.
An early cut from Smokey Joe who eventually came to produce some massive drum and bass anthems a few years later. A Special Request featured in a ton of DJ sets and was certainly a firm favourite at nights like Jungle Fever. If you like this, you also need to check Smokin Hornz from 1995.
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Apr 3, 2020 · Late-'90s drum 'n' bass wasn't just vigorous, intense drum workouts. '98 introduced the d'n'b world to the smoother, softer sounds of Northern Irish producer Calibre. In '99 he released 'Mystic' via Fabio's Creative Source label, a hub for the more funkier side of the genre, coined 'liquid funk'.