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- Rapping (also rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates " rhyme, rhythmic speech, and [commonly] street vernacular ". It is usually performed over a backing beat or musical accompaniment.
en.wikipedia.org/wiki/Rapping
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Jan 29, 2013 · The following video teaches all the music theory a rapper needs to know in order to make good flows. What beats are, how to count them, what syncopation is, and so on, are all clearly explained and taught in this video; the accompanying summary is down at the end of this article:
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Aug 22, 2023 · The art and science of rap. While teaching a course at MIT last spring, rap luminary and Renaissance man Lupe Fiasco refined his unifying theory of the musical genre. By.
Although we hear something that resembles later commercial rap music—namely MCs rapping over beats—there are several aspects of these live performances that distinguish them from later studio-produced music.
The course explores the roots and development of rap music, particularly in the areas of poetics (expressivity and meaning of lyrics), sampling, beat production, flow techniques (rapping), and genre. In addition, the course presents a broad overview of the social fabric of hip-hop culture, touching on subjects of race, politics, gender ...
Jan 31, 2017 · Prosecutors have interpreted defendants’ rap lyrics as accurate descriptions of past behavior or in some cases as real threats of violence. There are at least two problems with this practice: One concerns the interpretation of art in a legalistic context and the second involves the targeting of rap over other genres and the role of racism ...
Music analysis and rap music. I am proposing here a poetics of music, addressing an intended audience of scholars of popular music and cultural studies, and music scholars generally, including those engaged with progressive musi-cology.
Sep 19, 2019 · This chapter begins by examining several sources of confusion: the many meanings of flow in rap lyrics, the proffered equivalence of flow with the purely musical musical, and the debate as to whether a theory of flow ought to describe or prescribe expressive practice.