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Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.
Born in 1903, Hiroshi Shimizu, like his colleagues and friends Yasujiro Ozu and Kenji Mizoguchi, is a titanic figure in the development of the early Japanese film industry.
A group of orphans and a returning veteran search for jobs across a scarred postwar Japan in Hiroshi Shimizu’s remarkable work of Japanese neorealism, filmed entirely on location—including in a Hiroshima still marked by the atomic bomb.
The parallel camera movement that Shimizu uses to describe the final ascent represents a perfect blending of formal beauty and emotional power; it belongs with the climax of Kenji Mizoguchi’s...
May 4, 2024 · Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people — from the hardships of motherhood to the ostracization of disability.
Apr 7, 2024 · With over 160 films directed over a 35-year-career that spanned the silent era into the golden age of Japanese cinema, Shimizu is distinguished by his unconventional approach to plotting—one loosely sketched and carefree—and a roaming camera that drifts through the open airs of provincial Japan.
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Apr 17, 2021 · Where Ozu became most closely associated with his post-war family dramas and Mizoguchi with tales of female suffering, Shimizu has chiefly, if at all, been remembered for geniality. “Shimizu’s world is a sunny one, where the sadness of things rarely intrudes” 1 writes Alan Stanbrook in a Sight & Sound piece, published on occasion of the ...
