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Noise is a professional economist; meanwhile, the recurrent phenomenon of child prodigies in music and in mathematics alike perhaps also suggests the peculiarity of the numerical gift, which would seem to demand less practical experience of the world and of social life than does work in other fields.
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Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied ...
- Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
- 1977
May 11, 2019 · Noise : the political economy of music by Attali, Jacques. Publication date 1985 Topics Music -- Economic aspects, Music and society Publisher Minneapolis ...
The paradox is immediately underscored by the fact that the author of Noise is a professional economist; meanwhile, the recurrent phenomenon of child prodigies in music and in mathematics alike perhaps also suggests the peculiarity of the numerical gift, which would seem to demand less practical experience of the world and of social life than ...
Jun 30, 1985 · Noise The Political Economy of Music. Series: Theory and History of Literature. Jacques Attali. ISBN: 9780816612871. Publication date: June 30th, 1985. 196 Pages. 9 x 6
Common to these recent approaches is criticality towards the concept of noise as indexing a form of indeterminacy, or as embodying the negative, an approach that was exemplified, within a previous generation of noise theorists, by Jacques Attali’s Noise: The Political Economy of Music.
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subtle form: laws of the political economy take the place of censorship laws. Music and the musician essentially become either objects of consumption like. everything else, recuperators of subversion, or meaningless noise. Musical distribution techniques are today contributing to the establishment of.
