Search results
People also ask
What is noise the political economy of music?
Is music a good indicator of the political economy?
What are the problems in the political economy of music?
What does the title 'noise' mean?
What is the argument of noise?
How to establish a political economy of music?
Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.
- Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
- 1977
Jacques Attali, a French economist who was a Special Counsellor to President François Mitterand, proposes a number of theories on the political economy of music in this book, some quite bold and difficult to accept at first encounter, others more readily convincing.
Sep 14, 2015 · Noise: The Political Economy of Music. by Jacques Attali (1977) QUOTES: Our sicence has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited.
Common to these recent approaches is criticality towards the concept of noise as indexing a form of indeterminacy, or as embodying the negative, an approach that was exemplified, within a previous generation of noise theorists, by Jacques Attali’s Noise: The Political Economy of Music.
Jun 30, 1985 · The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.”
Feb 24, 1977 · As an investigation into the fetishization of music and the regression of listening, Noise: The Political Economy of Music manages to fail in interesting ways. Attali attempts to provide a historical investigation into the development of music from its origins in ritual through to the development of modern recording.
Noise is a professional economist; meanwhile, the recurrent phenomenon of child prodigies in music and in mathematics alike perhaps also suggests the peculiarity of the numerical gift, which would seem to demand less practical
