Search results
themoviedb.org
- La Notte, the middle child of the alienation trilogy, is a poignant formalist masterwork that charts the emotional despondence and interior degradation of a failing loveless marriage, externalized in the prosaic modernist architecture of 1960s Milan.
letterboxd.com/film/la-notte/La Notte (1961) directed by Michelangelo Antonioni • Reviews ...
People also ask
What is the movie La notte about?
What is La notte?
Is 'La notte' a good movie?
Who is the director of La notte?
La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti.
Jan 20, 2021 · 60 years of La notte: how Antonioni’s film walked over the empty glamour of the 1960s. Following the wanderings of an estranged couple over a single day in 1960s Milan, the middle part of Michelangelo Antonioni’s classic alienation trilogy unmasked the aimless hedonism of modern life.
La Notte: Directed by Michelangelo Antonioni. With Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki. A day in the life of an unfaithful married couple and their steadily deteriorating relationship.
- (24K)
- Drama
- Michelangelo Antonioni
- 1962-02-19
Sep 9, 2016 · Antonioni’s most emotionally acute and devastating deconstruction of the interpersonal travails of the bourgeoisie, the film remains at once the most bracingly concrete and amorously diffuse of the director’s—for lack of a better word—structuralist period.
Feb 19, 2022 · As Michelangelo Antonioni’s La Notte begins, novelist Giovanni (Marcello Mastroianni) and his wife, Lidia (Jeanne Moreau), are visiting their friend in the hospital. Dying of terminal cancer,...
Moodily sensual cinematography and subtly expressive performances make La notte an indelible illustration of romantic and social deterioration. This psychologically acute, visually striking modernist work was director Michelangelo Antonioni’s follow-up to the epochal L’avventura.
Sep 8, 2016 · In Michelangelo Antonioni’s 1961 drama, the romantic conflicts of an intellectual couple in bourgeois Milan come to life in a visually dazzling yet psychologically dislocating pageant of clashing...
