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  1. Jan 11, 2021 · I consider the particular role that entertainment media plays in the formation of publics in which comedic, melodramatic and celebrity-led content generates networks of followers, users and viewers whose loyalty produces various forms of capital, including in notable cases political capital.

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      I consider the particular role that entertainment media...

  2. Jan 11, 2021 · Building upon the long development of entertainment industries in the Philippines, new social media encounters with entertainment content generate expanded and engaged publics whose formation continues to operate upon a foundation of televisual media.

    • Anna Cristina Pertierra
    • 2021
  3. Jan 11, 2021 · This paper draws from ethnographic research on entertainment television in the Philippines, in which poverty, suffering, abundance and joy are materialised and enacted as central themes.

    • Anna Cristina Pertierra
  4. This comprehensive history of Philippine communication would show the: (1) development of traditional or folk media even as early as the pre-Spanish period; (2) development of mass media infrastruc-ture (print, broadcast and cinema) and later, new information tech-nology; (3) growth and development of communication as a

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  5. Since the late 1980s, Filipino entertainment television has assumed and maintained a dominance in national popular culture, which expanded in the digital era. The media landscape into which digital technologies were launched in the Philippines was largely set in the wake of the 1986 popular movement and change of government referred to as the ...

    • Anna Cristina Pertierra
    • 2021
  6. May 1, 2021 · Since the late 1980s, Filipino entertainment television has assumed and maintained a dominance in national popular culture, which expanded in the digital era. The media landscape into which digital...

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  8. Building upon the long development of entertainment industries in the Philippines, new social media encounters with entertainment content generate expanded and engaged publics whose formation continues to operate upon a foundation of televisual media.

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