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  1. Mar 31, 2022 · Honoré has a stand-in in “The Sky of Nantes”: a young actor, Youssouf Abi-Ayad, who introduces himself as the director in the first line. The play is set in a timeworn movie theater ...

    • Laura Cappelle
  2. In The Sky Over Nantes, he sets himself among the other characters. In front of us, a disused cinema. Christophe’s family, resurrected at his call, is watching an impossible film : the one that would have told the story of them all. Three generations are present. Questions, things left unsaid, resurface.

  3. Christophe Honoré has long carried in his mind an « imaginary movie » about his family. He never went so far as to shoot it. The plot interweaves six lives over three generations and extends from the bombing of Nantes during WW2 to President Chirac’s first term.

  4. Jan 31, 2023 · Christophe Honoré is that remarkable cinematic artist whose work touches us, touches us deeply on many fronts, and through different mediums. An Honoré work – a novel, a children’s book, an opera, theatre, and of course, a film – aligns itself no differently than a painter’s brushstroke, a choreographer’s pas-de-deux , and a writer’s mark on the page.

  5. Feb 27, 2019 · 10. Born in Brittany, Christophe Honoré published several books for young readers in the nineties, then four novels with Les Éditions de l’Olivier. He collaborated on a number of screenplays before directing his first movie in 2002, Seventeen Times Cécile Cassard. His other films include Ma mère (2004), Love Songs (2007), The Beloved ...

  6. Mar 17, 2015 · Christophe Honoré with Anne-Katrin Titze: "For myths, there is one filmmaker working today whom I admire tremendously and that is Apichatpong Weerasethakul…". Photo: Anne-Katrin Titze. "My design leads me to speak of forms changed into new bodies," wrote Ovid in his narrative poem Metamorphoses, that tells of the beginning of the world ...

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  8. Mar 13, 2023 · Christophe Honoré: It’s always when you’re given free reign quite a task and I always try to have a spontaneous curation, answering with films that either answer current considerations of mine or that I have recently mentioned and this was the case with these three films. The first film that came to mind was the one by Catherine Breillat.

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