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The first processes for colour photography appeared in the 1890s. Based on the theory demonstrated in the 1860s by James Clerk Maxwell, they reproduced colour by mixing red, green and blue light. These processes are known as ‘additive’ colour processes. The Kromogram
A glass plate is coated with the wet collodion solution containing light-sensitive silver salts and exposed whilst the plate is still wet. Photographs have to be taken within 15 minutes of coating the plate so a portable dark room is needed.
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- The Psychology of Blue
- The Evolution of The Color Blue
- Blue in Visual Arts
- Blue in Photography
- Conclusion
Color has a profound effect on our psychology. Rayleigh scattering, an optical phenomenon that causes the sea and sky to appear blue, forges a psychological association between the color blue and the perceived qualities of blue in nature. For example, the ancient duality of the sea and the sky generates a visual relationship between blue and impres...
Egyptian blue
Egyptian blue is considered to be the first synthetic pigment. Produced by the ancient Egyptians from around 2,200 BC, Egyptian blue was made from a mixture of ground limestone, sand and a copper-containing mineral (like azurite or malachite). The mixture was heated up to 1650°F, producing an opaque blue glass. The glass was then crushed and combined with thickening agents for application. Associated with the River Nile and the sky, ancient Egyptians used Egyptian blue to paint murals, statue...
Ultramarine
Lapis lazuli first appeared as a pigment in 6th to 7th century AD paintings in Afghanistani Zoroastrian and Buddhist temples. During the 14th and 15th centuries, Italian traders shipped the pigment to Europe. There, it was called ultramarine or ultramarinus (meaning beyond the seain Latin). For centuries, the cost of ultramarine pigment rivaled the price of gold. Subsequently, artists used ultramarine in only the most imperative aspects of a painting. This judicious application culminated in...
Cobalt blue
In the 8th and 9th centuries, cobalt blue was used to color porcelain and jewelry in China. An alumina-based version of cobalt blue was later discovered by the French chemist, Louis Jacques Thénard in 1802. Commercial production of the pigment began in France in 1807. Lightfast, stable and compatible with other pigments, Impressionists such as Pierre-Auguste Renoir and Claude Monet readily adopted cobalt blue as an alternative to pricey ultramarine. Post-Impressionists such as Vincent van Gog...
Ancient art to the Renaissance
Blue is an enduring presence throughout art history. Ancient Egyptians decorated murals and tombs with shades of blue. The walls of Roman villas in Pompeii had frescoes of blue skies. Greek artists used blue as a background colour behind the friezes on Greek temples and to colour the beards of statues. Dark blue was widely used in the decoration of churches in the Byzantine Empire. Byzantine art depicted Christ and the Virgin Mary dressed in dark blue or purple. Elaborate dark blue and turquo...
Rococo to contemporary art
The Rococo art movement depicted mythology and light-hearted portrayals of upper-class domestic life with pastel blue skies and rich blue furnishings. Romanticism used blue predominantly to convey drama in the heavens, and Impressionists likeClaude Monetused blue to investigate light and movement in both natural and artificial landscapes. Emphasizing strong colour over the representational, Fauvist Henri Matisse’s figures in Dance circle naked under an open blue sky. Expressionist van Gogh’s...
Birthed from nature and art, blue’s associations play a critical role in conveying the nature of the photographic image. Luigi Ghirri explored the relationship between shape and space by incorporating large fields of blue sky into his imagery. Color pioneer Martin Parr makes use of rich blues to create a surreal juxtaposition between subject, objec...
Yves Klein once said “blue has no dimensions, it is beyond dimensions”. Over history, blue has communicated the ineffable, transcending colour and touching on our spirituality and sense of self. Associated with nature, calm, reverence, purity, trust and sorrow, blue embodies the visual weight of emotion and human experience. Have you used blue in y...
- Characteristics of light in photography. We all know that light is the key ingredient to a beautiful photograph, but we need to understand how light works to use it for maximum impact.
- Light source for portrait photography. Light is light and adheres to the same principles for all different types of light, regardless of whether it comes from a natural light source or artificial light sources.
- How to use light – photography lighting styles. Once you understand how the direction of light impacts portrait lighting, it’s time to start learning lighting patterns for portraits.
- Portrait light position. With lighting patterns that are from the side of the subject you can take lighting control a step further for even more flattering portraits.
What is the Pink/Blue style of lighting called? I have seen this riding trend of pink and blue being used together in many photography as well as art styles - basically the kind of tones used by Brandon Woelfel.
Sep 23, 2019 · By 1960, he had created his own version of blue pigment, known as International Klein Blue (IKB). For Klein, the colour blue was intrinsic to his aesthetic philosophy: 'blue is the invisible becoming visible. Blue has no dimensions, it is beyond the dimensions of which other colours partake.'
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Sep 25, 2016 · Tate Britain Exhibition. Painting with Light Art and Photography from the Pre-Raphaelites to the modern age. 11 May – 25 September 2016. Explore the painters that inspired early photographers and the photographs that changed painting.
