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Mar 30, 2023 · In this comprehensive overview, we'll explore these questions and provide a thorough examination of contemporary British cinema. The history of British cinema can be traced back to the early 1900s, with the founding of the British Film Institute in 1933. Since then, British cinema has gone through several phases of development, from its early ...
- Themes
- Genre
- British Cast and Crew
- Filming and Location
- Funding and Support
There are certain themes commonly found in our films. They usually explore very real issues such as prejudice and discrimination amongst ordinary people, coming of age, and life in difficult parts of the country. Our films make a comment on social issues as they are in the UK. Films like Kidulthood and Adulthood explore difficulties that the youth ...
British films take a more realistic approach to storytelling. It is quite rare to find a British fantasy or sci-fi flick. Since our films are so relatable, they are confined to certain genres (ie. romance films, gritty thrillers, witty comedies or dramas). Regardless of genre, the films are always driven by strong storytelling and centred around th...
Since this cinema strives for authenticity, one can come to expect that an authentic British film will feature a large number of British media professionals, both in front of and behind the camera. It will feature writers, directors and producers who know what life is actually like in the UK and who are able to translate that realism on screen. The...
In terms of the way the films are shot, authentic British films take a much more relaxed approach to filmmaking. Unlike the more American style of filming, there are more views of surroundings and less, intrusive close-up shots. American films tend to be filmed/edited with plenty of close-ups that tell the audience how to feel, what to notice and w...
Part of what makes a film British is support. The majority of films that most would refer to as British have been backed by the Film Council (which is now the BFI) or broadcasters such as the BBC or Channel 4. They provide the money needed to make the films and they make sure that the films are being seen by the public. Four Lions was backed by Fil...
- Wild Bill (2011) “Wild Bill” is the narratively absorbing, frequently hilarious and endlessly endearing East-London drama faultlessly written and helmed by the first time director, Dexter Fletcher.
- For Those in Peril (2013) Prior to his audacious construction of his unflinching drama “For Those in Peril”, the Scottish writer and director Paul Wright had only previously experienced working on the creation of short films, including his impressive debut, the distressing 20 minute short “Believe” and his significant BAFTA award winning “Until the River Runs Red” in 2010.
- Sweet Sixteen (2002) A lesser known piece directed by British cinematic royalty Ken Loach, best known for impeccably crafting a number of domestic masterpieces that navigate real-world scenarios and concepts, frequently regarding the difficulties of growing up in working-class Britain, including, “Kes”, “Ladybird Ladybird”, “Land and Freedom”, “”The Wind That Shakes the Barley”, and his recent Palme d’Or winner “I, Daniel Blake”.
- A Cock and Bull Story (2005) Based on the book “The Life and Opinions of Tristram Shandy, Gentleman”, a humorous 18th century novel by Irish author Laurence Sterne which centres on a man failing to write an autobiography, “A Cock and Bull Story” is a film within a film, featuring Steve Coogan and Rob Brydon as excessively warped versions of themselves, as the pair of actors attempt to construct a cinematic adaption of the metafiction novel, in turn, appropriately failing to do so.
Jul 31, 2018 · The first major studio that pioneered their own genre of film was Gainsborough Studios, based in London, which was founded in 1924. Although it produced a plethora of films between its foundation and its closure in 1951, it is most famously remembered for the Gainsborough melodramas, a collection of films produced in the 1940s.
- Tom Bedford
- Lawrence Of Arabia (1962) Directed by: David Lean. Starring: Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, Omar Sharif. Strip away its scale and grandeur and Lawrence Of Arabia seems to be the kind of rags-to-riches tale that's two-a-shilling in cinema: an ordinary man shaking off mediocrity to answer the call of greatness.
- Monty Python's Life Of Brian (1979) Directed by: Terry Jones. Starring: Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, Terry Gilliam.
- The Red Shoes (1948) Directed by: Michael Powell, Emeric Pressburger. Starring: Moira Shearer, Anton Walbrook, Marius Goring. There's a reason why most reviews of Black Swan harked back to this post-War Powell and Pressburger classic: this is the definitive ballet-dancer-finds-life-clashing-with-art film.
- Don't Look Now (1973) Directed by: Nicolas Roeg. Starring: Julie Christie, Donald Sutherland. Featuring the most famous dwarf this side of Thorin Oakenshield, deeply poignant turns from Donald Sutherland and Julie Christie, and that famous did-they-didn't-they sex scene (they didn't), Nic Roeg's great masterpiece has slowly seeped into British filmmaking lore.
This timeless cinematic representation of Main Line life in the 1940s has managed to remain as captivating today as it was eight decades ago. Featuring Cary Grant, Katharine Hepburn, and James Stewart, The Philadelphia Story is sure to be a delight to watch, even if you’re not usually a fan of classic movies. In Her Shoes
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Makers of film and high-end TV spent almost A$10bn in the country last year, and British cinema has brought us films as diverse as First World War epic 1917 and science fiction two-hander Gravity ...
