Search results
Jul 9, 2024 · Breaking the Waves draws you into a dangerous game, shocking and intimidating with the story of Saint Bess McNeill, played by the debuting Emily Watson, and… it is the most brilliant, most perfect acting role I have ever seen. You can either hate or love von Trier’s film.
The film is divided into seven chapters and an epilogue, separated by audio-visual art by Per Kirkeby and accompanied by music. The film is an international co-production between the US, Denmark, seven other European countries, and is von Trier's first feature film with his Danish production company Zentropa.
Apr 18, 2014 · Apr 18, 2014. The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier. It appears here courtesy of Björkman and Alfabeta Bokförlag AB, in a translation by Neil Smith. Breaking the Waves took five years and forty-two million kroner to make.
Apr 14, 2014 · Breaking the Waves was von Trier’s first theatrical film after the Dogme manifesto was unveiled in March 1995, and, ironically, it contains too many exceptions to the Dogme “Vow of Chastity”—studio sets, post-dubbed music, computer graphics, and so on—to qualify for certification.
Aug 3, 2023 · The film is set during the 70s, in a tiny Presbyterian community on the West Coast of Scotland. Bess (Emily Watson), a trembling imp of a local girl, marries Jan (Stellan Starsgård), a hearty oil-rig worker, courting the disapproval of the village elders.
Aug 1, 2021 · A wide-eyed young woman, battered and bruised, advances on turbulent waves in a small boat. Her destination is a barge, on which some alarming men await her arrival.
People also ask
What is breaking the waves based on?
Is breaking the waves a Dogme movie?
Who wrote Breaking the waves?
Is breaking the waves a positive or negative film?
Is breaking the waves uncredited?
Are Dreyer's films based on breaking the waves?
Apr 9, 2014 · A s Emily Watson told us in an interview for our release of Breaking the Waves, which comes out next week, she had “hardly been in front of a camera ever before” when she shot Lars von Trier’s devastasting and explicit drama of faith and sex.
