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Bohemian Rhapsody (2018) Written By : Anthony McCarten. Synopsis. Freddie Mercury — the lead singer of Queen — defies stereotypes and convention to become one of history’s most beloved entertainers. The band’s revolutionary sound and popular songs lead to Queen’s meteoric rise in the 1970s.
Bohemian Rhapsody (2018) - Script Slug. 2018 · Film. Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics.
- CAPTION: IS THIS THE REAL LIFE?
- DAY
- INT. MASKED BALL/ FREDDIE’S MANSION - NIGHT
- INT. BBC TV STUDIO - DAY
- MONTAGE:
- INT. US TV STUDIO - DAY
- INT. BREAKFAST TV SHOW - DAY
- INT. HALLS/ EALING ART SCHOOL - DAY
- INT. LAB/ SCHOOL OF DENTISTRY - DAY
- EXT. BACK GARDEN/ MAY HOUSE - NIGHT
- INT. “SMILE” GIG - NIGHT
- INT. HALLS/ EALING ART SCHOOL - DAY
- INT. BATHROOM/ EALING ART SCHOOL - DAY
- EXT. ALLEY/ OUTSIDE SMILE GIG 1 - NIGHT
- INT. FREDDIE’S BEDROOM/ BULSARA FAMILY HOME - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. MAY HOUSE (1970) - DAY
- INT. “SMILE” GIG 3 - NIGHT
- INT. BIBA CLOTHING BOUTIQUE - DAY
- EXT. KENSINGTON MARKET - DAY
- INT. FREDDIE’S FIRST FLAT/ 2 VICTORIA RD/ LONDON - DAY
- INT. AUSTIN FAMILY HOME - DAY
- EXT. LONDON STREETS/ FREDDIE’S FIRST FLAT - DAY
- INT. FREDDIE’S FIRST FLAT/ LONDON - DAY
- INT. BULSARA HOME - DAY
- INT. ZANDRA RHODES’ CLOTHING STORE - DAY
- INT. ROLLER SKATING RINK/ UK CONCERT 2 - NIGHT
- QUEEN
- INT. FREDDIE’S FIRST FLAT/ LONDON - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- EXT. MOTEL/ USA - DAY
- INT. FREDDIE’S MOTEL ROOM/ USA - DAY
- INT. FREDDIE’S FIRST FLAT/ LONDON = DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. TOP OF THE POPS - DAY
- INT. FISH AND CHIP SHOP/ LONDON - DAY
- INT. JOHN REID’S OFFICE/ LONDON - DAY
- INT. RAY FOSTER’S OFFICE/ EMI RECORDS - DAY
- INT. BAR - NIGHT
- INT. FREDDIE’S FIRST FLAT/ LONDON - NIGHT
- EXT. ROCKFIELD FARM - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. RECORDING STUDIO /ROCKFIELD FARM - DAY
- INT. TACK-ROOM/ ROCKFIELD FARM - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. RECORDING STUDIO - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT - NIGHT
- INT. RECORDING STUDIO /ROCKFIELD FARM - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- EXT. ROCKFIELD FARM - DAY
- INT. TACK-ROOM/ ROCKFIELD FARM - DAY
- INT. RECORDING STUDIO /ROCKFIELD FARM - DAY
- INT. KITCHEN/ ROCKFIELD FARM - NIGHT
- EXT. ROCKFIELD FARM - DAY
- INT. RECORDING STUDIO /ROCKFIELD FARM - DAY
- INT. RAY FOSTER’S OFFICE/ EMI RECORDS - DAY
- INT. RECORDING STUDIO /ROCKFIELD FARM - DAY
- INT. RAY FOSTER’S OFFICE/ EMI RECORDS - DAY
- INT. PUB - DAY
- EXT. LONDON STREET - DAY
- INT. JOHN REID OFFICE/ LONDON - DAY
- EXT. LONDON STREETS - DAY
- INT. ELSTREE STUDIOS - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. ELSTREE STUDIOS - DAY
- INT. CAPITAL RADIO / STUDIO 1 - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- I/E. HYDE PARK STAGE - SUNSET
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- EXT. JAPAN TOUR/ 1976 - NIGHT
- EXT. ARGENTINA TOUR/ BUENOS AIRES/ 1981 - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- EXT. STAGE/ SAO PAOLO/ 1981 - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. FANCY DRESS PARTY/ BALLROOM (NEW ORLEANS) - NIGHT
- MONTAGE A (NEW ORLEANS PARTY): of -
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- MONTAGE B (NEW ORLEANS PARTY): of -
- OLD BRIAN But--the pressure! The expectation,
- EXT. STAGE/ HYDE PARK CONCERT - NIGHT
- MONTAGE (GLOBAL AUDIENCES)
- INT. DRESSING ROOM/ BACKSTAGE/ HYDE PARK CONCERT - NIGHT
- INT. LIMO - NIGHT
- EXT. LIMO - NIGHT
- INT. RESTAURANT - NIGHT
- INT. PARTY - NIGHT
- INT. FREDDIE & MARY’S FLAT/ LONDON - DAY
- INT. FREDDIE’S MANSION - DAY
- INT. FREDDIE’S MANSION - NIGHT
- INT. MARY’S NEW FLAT - NIGHT
- INT. FREDDIE’S MANSION - NIGHT
- MONTAGE (The Search For Love)
- “This thing called love, I just can’t handle it, I ain’t ready”
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. PRESS CONFERENCE/ NEW YORK - DAY
- INT. BACKSTAGE/ US TOUR 3 - NIGHT
- EXT. CHICAGO - NIGHT
- INT. BACKSTAGE/ US TOUR 3 - NIGHT
- INT. RECORDING STUDIO (BASING STREET) - DAY
- EXT. UK CONCERT/ LONDON - NIGHT
- INT. RECORDING STUDIO - DAY
- INT. NEW YORK BARBERSHOP - DAY
- EXT. NY GAY LEATHER CLUB (MINESHAFT) - DAY
- INT. NY GAY LEATHER CLUB (MINESHAFT) - DAY
- EXT. NY GAY LEATHER CLUB (MINESHAFT) - SUNRISE
- EXT. MEAT PACKING DISTRICT - SUNRISE
- INT. HOTEL/ US TOUR 2 - SUNRISE
- INT. BRIAN’S HOTEL ROOM/ US TOUR 2 - CONTINUOUS
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- EXT. SMALL GAY BAR / LONDON - NIGHT
- INT. SMALL GAY BAR / LONDON - NIGHT
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. SOUND-STAGE/ “BREAK FREE” VIDEO RECORDING - DAY
- INT. CBS HALLWAY - DAY
- INT. CBS CEO’S (WALTER YETNIKOFF) OFFICE - DAY
- INT. FREDDIE’S MANSION/ LONDON - DAY
- INT. MUNICH OPERA HOUSE - NIGHT
- INT. FREDDIE’S MUNICH FLAT - DAY
- INT. MARY’S NEW FLAT - NIGHT
- INT. FREDDIE’S MUNICH FLAT - DAY
- INT. MUNICH NIGHT-CLUB - NIGHT
- INT. RECORDING STUDIO (MUNICH) - DAY
- INT. FREDDIE’S MUNICH FLAT - NIGHT
- EXT. PHONE BOX/ LONDON - NIGHT
- INT. FREDDIE’S MUNICH FLAT - NIGHT
- INT. JIM BEACH’S OFFICE - DAY
- INT. RECORDING STUDIO (MUNICH) - DAY
- EXT. LONDON STREETS - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. GAY LEATHER CLUB/ NEW YORK - NIGHT
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. RECORDING STUDIO - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. RECORDING STUDIO (MUNICH) - DAY
- INT. FREDDIE’S MUNICH FLAT - DAY
- INT. RECORDING STUDIO (MUNICH) - DAY
- INT. FREDDIE’S MUNICH FLAT - NIGHT
- EXT. STREET/ MUNICH - DAY
- INT. FREDDIE’S MUNICH FLAT - DAY
- INT. JIM BEACH’S OFFICE - DAY
- INT. RECORDING STUDIO/ MUNICH - DAY
- EXT. CAR-PARK/ MONT-PELERIN HOTEL - MONTREUX - DAY
- INT. HOTEL ROOM / MONT-PELERIN HOTEL - MONTREUX - DAY
- INT. HOTEL ROOM 2 / MONT-PELERIN HOTEL - MONTREUX - DAY
- INT. HOTEL ROOM / MONT-PELERIN HOTEL - MONTREUX - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - NIGHT
- INT. HOTEL ROOM / MONT-PELERIN HOTEL - MONTREUX - DAY
- INT. PRIVATE ROOM / LONDON HOSPITAL - DAY
- INT. BATHROOM/ LONDON HOSPITAL - DAY
- INT. WAITING ROOM/ DOCTOR’S SURGERY - DAY
- EXT. HOSPITAL - DAY
- INT. REHEARSAL ROOM/ LONDON - DAY
- EXT. FREDDIE’S MANSION/ STREETS OF LONDON - DAY
- EXT. WEMBLEY STADIUM/ “LIVE AID”/ LONDON (1985)
- MONTAGE
- INT. QUEEN DRESSING ROOM/ LIVE AID (1985) LONDON - DAY
- EXT. MIXING BOARD/ LIVE AID - DAY
- EXT. BACKSTAGE/ LIVE AID - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - SUNRISE
- EXT. MIXING BOARD/ LIVE AID - DAY
- EXT. STAGE/ LIVE AID - DAY
- INT. BACKSTAGE/ LIVE AID - DAY
- EXT. STAGE/ LIVE AID - DAY
- INT. MAY HOUSE - DAY
- INT. GAY BAR/ LONDON - DAY
- INT. CBS BOSS’S OFFICE / NEW YORK - MORNING
- EXT. STREETS OF WEMBLEY - DAY
- INT. BACK GARDEN/ WEMBLEY HOUSE - DAY
- EXT. STAGE/ LIVE AID - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - MORNING
- INT. BLOGGER’S PARKED CAR (2016) - MORNING
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - MORNING
- EXT. FREDDIE’S MANSION/ LONDON - MORNING
- INT. BLOGGER’S PARKED CAR (2016) - MORNING
- EXT. BACK-STREETS/ ZANZIBAR - DAY
- INT. BLOGGER’S PARKED CAR (2016) - MORNING
- EXT. SHIP - DAY
- INT. BRIAN MAY’S RECORDING STUDIO (2016) - MORNING
- as we hear - the famous intro to Queen’s “WE WILL ROCK YOU” - BOOM-BOOM-CHA...BOOM-BOOM-CHA - both band and a huge stadium audience combining to beat out the anthemic rhythm... FADE IN... INT. FREDDIE’S GEORGIAN MANSION (GARDEN LODGE)/ LONDON -
This SOUND-TRACK fades away, shifting into funereal SCORE (”GOLDEN BOY” by FREDDIE MERCURY) as - we look down through a series of opened doors, toward a distant BEDROOM DOOR. From within, a distraught voice cries out: JIM HUTTON (O.S.) Freddie! The DOOR then springs open - it’s JIM HUTTON (FREDDIE’s long-term partner and carer) running, heart-brok...
A gorgeous pageant of a party, in full flow - FREDDIE MERCURY (in a full Venetian mask and hood, his face concealed) enters the ROOM, at his most glorious and magnificent – people calling out his name - "FREDDIE!"... The crowd hushes as FREDDIE passes through the crowd and sits at a grand piano and starts to play the intro of "It's A Beautiful D...
BBC ANCHORMAN Tragic news today--for fans of the Super-group Queen--that Freddie Mercury, their iconic and renown frontman...
ARCHIVE FOOTAGE: of GRIEVING FANS around the world - TOKYO, MUNICH, MUMBAI, BARCELONA, NEW YORK - laying flowers and messages at makeshift SHRINES to FREDDIE... JAPANESE ANCHOR (O.S.) ...rokkusuta, Freddie Mercury... GERMAN ANCHOR (O.S.) ...rock Gott, Freddie Mercury... SPANISH ANCHOR (O.S.) ...súper-cantante... INDIAN ANCHOR (O.S.) ...gayaka--Fred...
US ANCHOR - died today, in his home, in London. (beat) But while popular around the globe, not everyone approved of the man, who became synonymous with excess...
The grieving BRIAN and ROGER on a couch, face an arrogant MALE TV INTERVIEWER. We are live - INTERVIEWER Last week saw the death of one of the most flamboyant and popular figures in rock-music--Freddie Mercury, lead singer with Queen. Joining us in the studio to pay tribute and maybe reflect on Freddie’s memory for the first time: two of the band m...
BRIAN and ROGER continue their walk through the art school. OLDER BRIAN (V.O.) We were even thinking of breaking up and going back to our studies...
ROGER, before a human cadaver, holds a circular saw and looks at the dotted line demarking the crown which he is meant to cut open. He starts up his circular saw - OLDER BRIAN (V.O.) Roger was studying dentistry at the time...
Shot of the stars - OLDER BRIAN ...the universe--but torn, torn between stars -
- BRIAN on-stage, breaks into a GUITAR SOLO - OLDER BRIAN (V.O.) - and stardom.
ROGER and BRIAN continue their walk through ART SCHOOL...ROGER suddenly veering off down another corridor, toward the BATHROOM - BRIAN only belatedly works out where ROGER has gone by following the sound of DRUMMING.
ROGER and BRIAN are now singing “TUTTI FRUTTI” (a jazzy, slowed-down version, harmonizing beautifully with each other) as ROGER, then BRIAN, go up to the urinal in the TILED BATHROOM with its real nice echo. ROGER, one handed, (one drum stick clenched in his teeth) still drums on the TILES as he sings (he has a very high sweet voice) ROGER/BRIAN “I...
SMILE load their own GEAR into an old VAN...ROGER, BRIAN, TIM. TIM STAFFEL “Humpy Bong.” Humpy Bong? BRIAN TIM STAFFEL They're going places. Gonna be big. ROGER Humpy Bong--are gonna be big? BRIAN Don't do it, Tim. TIM STAFFEL Sorry guys. Gotta look after myself. TIM takes his BASS GUITAR and walks off. ROGER and BRIAN watch him go... What now? RO...
CLOSE ON: A RECORD - JIMI HENDRIX’S “ELECTRIC LADY LAND” - playing on a turn-table. WIDE: As BRIAN reads the sleeve notes on the ALBUM COVER - FREDDIE excitedly puts his EAR to the LEFT SPEAKER then moves to the RIGHT SPEAKER of his old STEREO RECORD PLAYER... FREDDIE Listen to this! Hear how the guitar starts here (left speaker)--here-here-here!--...
OLDER BRIAN crosses to the BLOGGER, with a WOODEN BOX - OLDER BRIAN Not at all proper. But a language that was Freddie’s own--a kaleidoscope of influences--a nod to one style, a genuflection to another-- melodies battling with counter-melodies... We hear, as SOUNDTRACK, these layers of sound, these elements, building up...up...as - BRIAN opens the ...
OLDER BRIAN ...repeating--all he had--and he asked me “What goes now?” (Glint in eye) And I said...I said “It goes - BRIAN raises his arms as we hear - BANGGGG! a huge CHORD of MULTI-TRACKED GUITARS with DRUMS... OLDER BRIAN MASSIVE...three guitars in harmony! Guitars transformed into an orchestra! I could give him what he was hearing but couldn’...
HAROLD MAY (BRIAN’s DAD) presents (to the CAMERA) the RED SPECIAL...
CLOSE ON: The RED SPECIAL, being strapped on by BRIAN, as - the band prepare to perform their first song - to a small audience. ANGLE ON: FREDDIE, struggling to adjust the FAULTY MIC-STAND which is set too low - OLDER BRIAN (V.O.) We had no idea what to expect from Freddie on that first night. ANGLE ON: JOHN DEACON (20) - on BASS GUITAR. OLDER BRI...
A trendy clothes boutique - OLDER BRIAN (V.O.) ...and it needed a new look. CLOSE ON: MARY AUSTIN (19), who works in the store. BRIAN This is Freddie. FREDDIE, a gentleman, proffers his hand - FREDDIE How do you do? BRIAN Mary. Mary Austin. Mary. FREDDIE MARY Freddie. They smile at each other. MARY So how do you know Brian? FREDDIE I’m his new lead...
FREDDIE and ROGER work their little STALL, trying to sell FREDDIE’s ART-WORK (drawings of JIMI HENDRIX, ROCK HUDSON) Right now, no buyers...And then, through the crowd, comes MARY - FREDDIE picks up a VENETIAN MASK and holds it over his face. “Smile”. MARY ROGER If we could find a customer. MARY I just had people in the store talking about this wil...
CLOSE ON: The BRUSH of the BLACK-FINGERNAIL painting BLACK NAIL-POLISH onto - the White Piano Keys. WIDE: We are in the tiny new flat Freddie has just rented – empty but for the piano. While he paints the White Keys BLACK...MARY paints the black keys WHITE... FREDDIE Let's make the poor little thing stand out...transform it, from being just anot...
LUNCH. While they eat, MARY communicates with her parents - both are MUTE and DEAF and communicate in sign language with MARY. Tense silence. FREDDIE seems nervous, shy. His FINGERS, on the table, TAP OUT PIANO NOTES on an imaginary keyboard... MARY’s PARENTS both notice that FREDDIE’s tapping finger-nails are painted BLACK. FREDDIE (whispers) The...
FREDDIE, HAPPY, hurries up the street and climbs the steps to a front door, humming a TUNE, lighting a CIGARETTE.
FREDDIE opens the door to his FLAT, and is surprised to see MARY, in their new bed, drowsily waking. (The PIANO serves as the bed’s HEADBOARD) FREDDIE Dearie! Still in bed? Perfect. Stay right - FREDDIE peels off his shirt, kicks off his shoes, and then takes another HIT on his CIGARETTE... FREDDIE - where - you are. MARY loathe that you’ve starte...
LUNCH. It’s FREDDIE’s BIRTHDAY. A far noisier affair than the Austin’s. Everyone is wearing paper party hats. FREDDIE is dressed VERY CONSERVATIVELY - playing the role of the good son. MARY meets FREDDIE’s boisterous family, and sees the love they all have for him. FREDDIE’S MUM No, Farrokh was born in Zanzibar. FREDDIE (cringing) Ma! None of that...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
BRIAN looks out the OPEN DOORS - sunlight falling on him... FREDDIE “When I look and I find, I still love you...” (beat) And then, as if directly to BRIAN himself - FREDDIE I still love you. CUT TO BLACK: RUN END CREDITS. Over this: roll FOOTAGE of the REAL FREDDIE MERCURY and QUEEN, from the video of “DON’T STOP ME NOW” - an uplifting and emotiona...
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Bohemian Rhapsody is a 2018 biographical musical drama film that focuses on the life of Freddie Mercury, the lead singer of the British rock band Queen, from the formation of the band in 1970 to their 1985 Live Aid performance at the original Wembley Stadium.
Buy Bohemian Rhapsody: The Definitive Biography of Freddie Mercury UK ed. by Jones, Lesley-Ann (ISBN: 9781444733693) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.
- Lesley-Ann Jones
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Nov 2, 2018 · Bohemian Rhapsody: Directed by Bryan Singer. With Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy. The story of the legendary British rock band Queen and lead singer Freddie Mercury, leading up to their famous performance at Live Aid (1985).
