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Feb 7, 2011 · The findings from 3 independent studies converged to suggest that there exists a latent 5-factor structure underlying music preferences that is genre free and reflects primarily emotional/affective responses to music.
- Literature review
- Coding
- Funding
We wanted to test whether studies in music psychology have observed results compatible with one or more of the three segments of the inverted-U, even if not explicitly reported. Our approach was to review the literature on aesthetic preference of music across a long time period, and ana-lyze those findings with respect to the three segments of the ...
Studies presenting data on preference as a function of one or more collative variables were coded according to one of five categories for each independent variable, as shown in Table 1. The first three categories are regarded as commensurate with some part or all of the inverted-U, as discussed above, and the remaining two categories (4 and 5) are ...
The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work was supported by the Australian Research Council [Grant Number
The findings from three independent studies converged to suggest that there exists a latent five-factor structure underlying music preferences that is genre-free, and reflects primarily emotional/affective responses to music.
- Peter J. Rentfrow, Lewis R. Goldberg, Daniel J. Levitin
- 10.1037/a0022406
- 2011
- 2011/06
Using multiple samples, methods, and geographic regions, analyses of the music preferences of over 3,500 individuals converged to reveal 4 music-preference dimensions: Reflective and Complex, Intense and Rebellious, Upbeat and Conventional, and Energetic and Rhythmic.
Music preferences help individuals explore and construct a meaningful social identity (Lonsdale & North, 2011), and (p.248) enhance or preserve the identity of social groups through group differentiation (Tarrant, North, & Hargreaves, 2001, 2002).
Jun 9, 2021 · Specifically, based on research by Rentfrow et al. (2011, 2012) and Nave et al. (2018), we predicted that there would be a preference for slower-tempo music by participants high in extraversion and a preference for soft music by participants high in openness.
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In this article, we investigated the generalizability of the struc-ture and correlates of musical preferences among a total of 356,649 individuals across 53 countries. Musical preferences were measured by genre-favorably in Study 1 and by preferential reac-tions to audio stimuli in Study 2.
