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- The ending of Waiting for the Barbarians can be interpreted in various ways, but it primarily signifies the Magistrate’s personal transformation and rejection of the oppressive system he once supported. By choosing to live among the barbarians, he rejects his former identity and aligns himself with the oppressed.
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Waiting for the Barbarians review: a vital portrait of an empire in decline. Morality, and society itself, crumbles in Ciro Guerra’s English-language debut, a stunningly shot, allegorical film featuring a powerful lead performance by Mark Rylance.
Sep 10, 2020 · Starring: Mark Rylance, Johnny Depp, Robert Pattinson, Gana Bayarsaikhan, Greta Scacchi. 15 cert, 113 mins. Waiting for the Barbarians is the most sweeping of director Ciro Guerra’s portraits...
- Clarisse Loughrey
Waiting for the Barbarians is a 2019 drama film directed by Ciro Guerra in his English-language directorial debut. The film is based on the 1980 novel by J. M. Coetzee. It stars Mark Rylance, Johnny Depp, Robert Pattinson, Gana Bayarsaikhan, and Greta Scacchi.
Ending Explained: The film’s ending is deliberately open-ended, leaving room for interpretation and reflection. In the final scenes, Colonel Joll (played by Johnny Depp), the ruthless representative of the empire, is captured and tortured by the indigenous people he once oppressed.
The ending of Waiting for the Barbarians can be interpreted in various ways, but it primarily signifies the Magistrate’s personal transformation and rejection of the oppressive system he once supported.
Waiting for the Barbarians is a profound exploration of power, colonialism, and the consequences of our actions. Its ending, filled with ambiguity and symbolism, leaves readers and viewers pondering the nature of humanity and the price of resistance.
Aug 7, 2020 · Nick Allen. August 7, 2020. 6 min read. Mark Rylance had an easier time making us believe he was the 24-feet-tall “BFG” than he does here, trying to sell us a colonizer with a conscience in Ciro Guerra’s tedious “Waiting for the Barbarians.”.
