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    • Dan Stubbs
    • SONG: Robert Johnson – Crossroad Blues (1937) What it did: Popularised Johnson’s great creation myth – that his fame was the result of a deal made with the Devil at a rural crossroads.
    • SONG: Lead Belly/Nirvana – Where Did You Sleep Last Night (1944/1994) What it did: Lead Belly’s 1939 recording of this tragic blues song – which he frequently called ‘Black Girl’ – combined two traditional blues songs dating back to the 1870s, showing how blues itself is rooted in folk traditions.
    • SONG: Elmore James – Dust My Broom (1951) What it did: Originally written by Robert Johnson (see ‘Cross Road Blues’, above) under the name ‘I Believe I’ll Dust My Broom’, Elmore James’s version (credited as Elmo James) added a boogie rhythm and slide guitar – and was a watershed moment in the electrification and amping up of the blues sound.
    • ALBUM: Etta James – At Last! (1960) What it did: As you’ll see in Netflix’s Ma Rainey’s Black Bottom, women were at the centre of the ‘urban blues’ scene that stormed the cities in the 1920s and 30s.
  1. Feb 21, 2024 · Like many forms of art, blues music started as a form of expression for people who were often left out of mainstream music. The originators of blues were the workers in southern fields who faced life’s hardships and newly freed slaves who used music to heal from the traumas of modern life.

    • Musicnotes
  2. The most important American antecedent of the blues was the spiritual, a form of religious song with its roots in the camp meetings of the Great Awakening of the early 19th century. Spirituals were a passionate song form, that "convey (ed) to listeners the same feeling of rootlessness and misery" as the blues. [ 5]

  3. Key Artists and Their Contributions. The 1920s saw the rise of several key blues artists who would leave an indelible mark on the genre. Ma Rainey and Bessie Smith recorded and popularized blues music, earning the titles “Mother” and “Empress” of the genre.

  4. May 9, 2018 · Contrary to what some people believe, the blues is not "slave music." Although it was cultivated by the descendants of slaves, the blues was the expression of freed African Americans. The Great Migration directly influenced the blues’ many evolutions.

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  6. Feb 22, 2007 · Paul Oliver, probably the world’s foremost scholar of the blues, first heard African-American vernacular music during World War II when a friend brought him to listen to black servicemen stationed in England singing work songs they had brought with them from the fields and lumber camps of the Deep South.