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‘Marshlands’ by Emily Pauline Johnson paints a romanticized picture of the array of life residing in a marshland as night approaches casts the ecosystem into silence. The poem begins with the speaker stating that the sky ver the land is “thin” and “wet.”
- Female
- October 9, 1995
- Poetry Analyst And Editor
Dec 29, 2022 · Answer: The thin wet sky yellows at the ‘rim’ when the sun-lost lip touches the brim. The poet here is talking about the horizon which is reflecting some sunlight in contrast to the overcast sky above the marshlands. Question 2: What in the marsh look like ‘large cups of gold’? Can you explain why they have been described like that?
This is an analysis of the poem Marshlands that begins with: A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh's brim. ...
May 13, 2011 · An analysis of the Marshlands poem by Emily Pauline Johnson including schema, poetic form, metre, stanzas and plenty more comprehensive statistics.
- 643
- Couplet
- Iambic pentameter
- AA BB CC DD EE FF GG
Marshlands. By Emily Pauline Johnson. A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh’s brim. The pools low lying, dank with moss and mould, Glint through their mildews like large cups of gold. Among the wild rice in the still lagoon, In monotone the lizard shrills his tune.
The E. Pauline Johnson: Poetry Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you.
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Sep 27, 2019 · King Alfred in the Somerset Marshes – Part 2. Figure 1: Looking east from the land below Athelney towards Burrow Mump on a misty morning. Whilst the land is reclaimed and cultivated nowadays, it was a patchwork of marshes, reeds and flood water.
